Cinematographer Arthur A Wilson who is known for innovative visuals he had been creating for years, with different genres and approach. His recent film Garudan which is receiving positive response from audiences and critic alike. Arthur Wilson cinematography is much appreciated. Veteran Cinematographer Arthur Wilson shares his visual approach to […]
5 Management Lessons from Mouna Raagam Movies are not always made to exploit people with glamour, adultery, fights etc. Tamil Movie “Mouna Ragam” is one such example for the brilliance of craft by the Film Maker Mani Ratnam and brilliant visuals by Pc Sreeram showered appreciative attitude of the audience. […]
Santosh Sivan: A Trailblazing Cinematographer Honored at Cannes Acclaimed Indian cinematographer Santosh Sivan has added another feather to his illustrious cap by becoming the first Asian to receive the prestigious Pierre Angénieux Tribute award at the 2024 Cannes Film Festival. This accolade recognizes his outstanding career and exceptional quality of […]
Capturing Cinematic Legacies: A Glance into the World of Indian Cinematographers The Southern India Cinematographers’ Association (SICA) recently played host to a captivating event at the Prasad Lab Theatre, where the spotlight shone brightly on the artistry and legacy of Indian cinematographers. On a sunny Sunday morning, the 21st of […]
SICA is all set to screen important Documentary feature titled “Chhayaankan- The Management of Shadows. Hemant Chaturvedi: A Cinematographer’s Journey Hemant Chaturvedi, an acclaimed Indian cinematographer, embarked on his cinematic odyssey with the 2002 film “Company,” which garnered him widespread critical praise. Known for his ability to capture the gritty […]
Cannes one of the greatest film festival an annual event marks as most prestigious one for world cinema. Now, as the prestigious Cannes Film Festival prepares to pay homage to Director and Cinematographer Santhosh Sivan his remarkable career with the 2024 Pierre Angénieux Tribute. Indian filmmaker Payal Kapadia’s All We […]
