{"id":10204,"date":"2025-01-27T14:46:00","date_gmt":"2025-01-27T14:46:00","guid":{"rendered":"https:\/\/thesica.in\/?p=10204"},"modified":"2025-01-27T14:49:10","modified_gmt":"2025-01-27T14:49:10","slug":"asc-2025-awards-nominations-cinematography","status":"publish","type":"post","link":"https:\/\/thesica.in\/ta\/asc-2025-awards-nominations-cinematography\/","title":{"rendered":"ASC 2025 awards nominations : Cinematography"},"content":{"rendered":"<p><strong>ASC Awards 2025: Celebrating Excellence in Cinematography<\/strong><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10205\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/ASC-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/ASC-1-300x169.jpg 300w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/ASC-1.jpg 681w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>The <strong>American Society of Cinematographers (ASC)<\/strong> has announced the nominees for the <strong>39th annual ASC Awards<\/strong>, which honor exceptional achievements in cinematography. Winners will be celebrated on <strong>February 23, 2025<\/strong>, at the prestigious gala held at <strong>The Beverly Hilton<\/strong>, with the ceremony also being live-streamed on the ASC\u2019s official website.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10206\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/ASC-Awards-2023-0-Featured-300x158.jpg\" alt=\"\" width=\"300\" height=\"158\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/ASC-Awards-2023-0-Featured-300x158.jpg 300w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/ASC-Awards-2023-0-Featured-1024x538.jpg 1024w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/ASC-Awards-2023-0-Featured-768x403.jpg 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/ASC-Awards-2023-0-Featured.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Santosh Sivan is the only cinematographer in India inducted to American Society of Cinematographers.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-9568\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2024\/07\/Screenshot_20240707-211852_Instagram-239x300.png\" alt=\"\" width=\"239\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2024\/07\/Screenshot_20240707-211852_Instagram-239x300.png 239w, https:\/\/thesica.in\/wp-content\/uploads\/2024\/07\/Screenshot_20240707-211852_Instagram-817x1024.png 817w, https:\/\/thesica.in\/wp-content\/uploads\/2024\/07\/Screenshot_20240707-211852_Instagram-768x962.png 768w, https:\/\/thesica.in\/wp-content\/uploads\/2024\/07\/Screenshot_20240707-211852_Instagram.png 1080w\" sizes=\"(max-width: 239px) 100vw, 239px\" \/><\/p>\n<h3>Why the ASC Awards Matter<\/h3>\n<p>The ASC Awards are among the most prestigious honors in the film and television industry, specifically recognizing the artistic and technical brilliance of cinematographers. These awards shine a spotlight on the craft behind the camera, honoring those who create the visual magic that defines storytelling in cinema and television. Often seen as a precursor to the Academy Awards for cinematography, the ASC Awards hold significant influence within the industry.<\/p>\n<p>Cinematography is the backbone of visual storytelling, and the ASC, founded in 1919, is dedicated to advancing the art and science of this craft. Its awards highlight the dedication and innovation of professionals who push the boundaries of cinematic visuals, inspiring future filmmakers.<\/p>\n<p style=\"text-align: left\"><a href=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/NOSFERATU.webp\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10207\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/NOSFERATU-300x169.webp\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/NOSFERATU-300x169.webp 300w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/NOSFERATU-1024x576.webp 1024w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/NOSFERATU-768x432.webp 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/NOSFERATU-1536x864.webp 1536w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/NOSFERATU.webp 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10146\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/bafta-2025-nominations-36128d7-300x200.png\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/bafta-2025-nominations-36128d7-300x200.png 300w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/bafta-2025-nominations-36128d7-768x513.png 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/bafta-2025-nominations-36128d7.png 980w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<h3>Theatrical Feature Film Nominees<\/h3>\n<p>This year, seven cinematographers have been nominated in the <strong>Theatrical Feature Film<\/strong> category, marking the first time since 2014 that this category includes seven contenders. The nominees were selected based on the percentage of votes received, showcasing a diverse array of visual styles and storytelling approaches.<\/p>\n<ul>\n<li><strong>Jarin Blaschke<\/strong> for <em>Nosferatu<\/em> (Focus Features)<\/li>\n<li><strong>Alice Brooks<\/strong> for <em>Wicked<\/em> (Universal Pictures)<\/li>\n<li><strong>Lol Crawley<\/strong> for <em>The Brutalist<\/em> (A24)<\/li>\n<li><strong>St\u00e9phane Fontaine<\/strong> for <em>Conclave<\/em> (Focus Features)<\/li>\n<li><strong>Greig Fraser<\/strong> for <em>Dune: Part Two<\/em> (Warner Bros. Pictures)<\/li>\n<li><strong>Edward Lachman<\/strong> for <em>Maria<\/em> (Netflix)<\/li>\n<li><strong>Phedon Papamichael<\/strong> for <em>A Complete Unknown<\/em> (Searchlight Pictures)<\/li>\n<\/ul>\n<p><img loading=\"lazy\" class=\"size-medium wp-image-10208\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/MCDMARI_ZX056-300x162.jpg\" alt=\"\" width=\"300\" height=\"162\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/MCDMARI_ZX056-300x162.jpg 300w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/MCDMARI_ZX056-1024x553.jpg 1024w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/MCDMARI_ZX056-768x415.jpg 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/MCDMARI_ZX056-1536x830.jpg 1536w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/MCDMARI_ZX056-2048x1107.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10209\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/House-of-the-Dragon-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/House-of-the-Dragon-300x200.jpg 300w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/House-of-the-Dragon-768x512.jpg 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/01\/House-of-the-Dragon.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<h3>Television Nominees: One-Hour Regular Series<\/h3>\n<p>The ASC also celebrates outstanding cinematography in television, and the nominees for <strong>Episode of a One-Hour Regular Series<\/strong> reflect the exceptional work done across various platforms:<\/p>\n<ul>\n<li><strong>Adriano Goldman<\/strong> for <em>The Crown<\/em> \u2013 Episode \u201cSleep, Dearie Sleep\u201d (Netflix)<\/li>\n<li><strong>Catherine Goldschmidt<\/strong> for <em>House of the Dragon<\/em> \u2013 Episode \u201cThe Queen Who Ever Was\u201d (HBO)<\/li>\n<li><strong>Baz Irvine<\/strong> for <em>Silo<\/em> \u2013 Episode \u201cThe Engineer\u201d (Apple TV+)<\/li>\n<li><strong>Alejandro Martinez<\/strong> for <em>House of the Dragon<\/em> \u2013 Episode \u201cRhaenyra the Cruel\u201d (HBO)<\/li>\n<li><strong>Sam McCurdy<\/strong> for <em>Sh\u014dgun<\/em> \u2013 Episode \u201cCrimson Sky\u201d (FX)<\/li>\n<li><strong>Christopher Ross<\/strong> for <em>Sh\u014dgun<\/em> \u2013 Episode \u201cAnjin\u201d (FX)<\/li>\n<\/ul>\n<h3>The Importance of Recognition<\/h3>\n<p>By celebrating the mastery of cinematographers, the ASC Awards elevate the importance of the visual narrative in entertainment. With nominees spanning a variety of genres, formats, and styles, the 39th ASC Awards promise to honor the artistry and innovation that define modern cinematography.<\/p>\n<p>Mark your calendars for February 23, 2025, to witness the celebration of these visual storytellers and their remarkable contributions to the art of filmmaking.<\/p>\n<p>Article by<\/p>\n<p>CJ Rajkumar<\/p>\n<p>Author\/ Cinematographer<\/p>\n<div class=\"fb-comments\" data-href=\"https:\/\/thesica.in\/ta\/asc-2025-awards-nominations-cinematography\/\" data-numposts=\"10\" data-colorscheme=\"light\" data-order-by=\"social\"><\/div>","protected":false},"excerpt":{"rendered":"<p>ASC Awards 2025: Celebrating Excellence in Cinematography The American Society of Cinematographers (ASC) has announced the nominees for the 39th annual ASC Awards, which honor exceptional achievements in cinematography. Winners will be celebrated on February 23, 2025, at the prestigious gala held at The Beverly Hilton, with the ceremony also being live-streamed on the ASC\u2019s [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":10207,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.1","language":"ta","enabled_languages":["en","ta"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"ta":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/10204"}],"collection":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/comments?post=10204"}],"version-history":[{"count":3,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/10204\/revisions"}],"predecessor-version":[{"id":10212,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/10204\/revisions\/10212"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media\/10207"}],"wp:attachment":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media?parent=10204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/categories?post=10204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/tags?post=10204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}