{"id":1061,"date":"2016-12-10T09:41:16","date_gmt":"2016-12-10T09:41:16","guid":{"rendered":"http:\/\/thesica.in\/?p=1061"},"modified":"2017-12-03T06:31:20","modified_gmt":"2017-12-03T06:31:20","slug":"high-speed-digital-cinematography-cameras","status":"publish","type":"post","link":"https:\/\/thesica.in\/ta\/high-speed-digital-cinematography-cameras\/","title":{"rendered":"HIGH SPEED DIGITAL CINEMATOGRAPHY CAMERAS"},"content":{"rendered":"<p>[vc_row][vc_column][vc_column_text]<\/p>\n<p class=\"p1\"><span class=\"s1\">High speed cinematography\u00a0involves shooting at a higher frame rate than 24 fps, giving yet a more surreal look. High speed cinematography effect is also called as Slow motion\u00a0a process of filming or taping a\u00a0motion-picture or television sequence at an accelerated rate of speed and then projecting or replaying it at normal speed so that the action appears to be\u00a0slowed\u00a0down.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Few digital cinema cameras which shoot high resolution images are also featured with option of shooting with high frame rates.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">There are different kinds of slow motion: normal and ultra. With\u00a0<\/span><span class=\"s2\"><b>normal<\/b><\/span><span class=\"s1\">\u00a0slow motion used to be shot at 150 fps in 35mm film. But with the Red Epic, filmmakers can shoot 2K at 300 fps without switching cameras.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Around 500 or 1000 fps, depending on the subject matter, slow motion crosses the border from normal to\u00a0<\/span><span class=\"s2\"><b>ultra<\/b><\/span><span class=\"s1\">, showing something extraordinary, Ultra slow motion reveals a new temporal viewpoint. We can see the invisible details in a freezing time.<\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;1062&#8243; alignment=&#8221;center&#8221; title=&#8221;Phantom Flex \u2013 4 K Cameras&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<p class=\"p4\"><span class=\"s1\">The Phantom Flex4K is a full-featured digital cinema camera, capable of speeds from 23.98 to over 1000 frames-per-second (fps) at 4K and up-to 2000 fps at 2K pixel resolution. Building upon the award winning technology of Phantom digital cinema products, the Flex 4K combines features found in the latest cinema cameras with those found only in specialty cameras.<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">LENS MOUNT- PL<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">VIEW WINDER- PHANTOM OLED<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">RECORDING \u2013 PHANTOM CINE MAG MEDIA 1TB &amp; 2TB<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\"><b>Phantom V- 2512<\/b><\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;1064&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]The Phantom v2512 provides a widescreen CMOS sensor and delivers a speed of over 25,000 frames-per-second at full resolution.<\/p>\n<p>1280 x 800 resolution<\/p>\n<p>Available with 72GB, 144 GB, or 288GB of memory<\/p>\n<p>Records directly to a 1TB or 2TB CineMag IV<\/p>\n<p>WEISS CAM HIGH SPEED CINEMA CAMERA<\/p>\n<p>The WEISSCAM HS-2 is the uncompressed digital high speed camera for frame rates up to 4.000 fps. It is developed as a standalone camera aiming especially the needs of cinematographers. Coming with an easy workflow, two Streams (RAW + HD) via HD-SDI, two formats (4:3 + 16:9) and cinema-style images. It is designed to offer the freedom of shooting either in HD or RAW mode.<\/p>\n<p>The WEISSCAM HS-2 has a full Format Super35 CMOS Sensor with a global shutter. By using the Interchangeable Mount System (IMS) from P+S Technik you can attach nearly every lens on the camera (PL Mount, Nikon F-Mount, Panavision Mount etc.) and also change the mount within a few seconds.<\/p>\n<p>TS3 Cine high speed cine camera[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;1067&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<p class=\"p6\"><span class=\"s1\">Fastec TS3 camera is most economical and first to powered by battery for lasting nearly four hours while shooting high-speed 720p.<\/span><\/p>\n<p class=\"p6\"><span class=\"s1\">The TS3Cine uses a 1280 x 1024, 1.3 megapixel CMOS image sensor made to shoot at full resolution it can go up to 500 fps, its real appeal is the capability of 720 fps at 720p.<\/span><\/p>\n<p class=\"p6\"><span class=\"s1\">The camera can shoot color at 1,600 ISO (3,200 ISO monochrome) and has a global electronic shutter, Equipped with a 256 GB solid-state internal buffer capturing high-speed images to Fastec\u2019s own .cap file format. It can output in .tiff, Cinema DNG (raw), .jpeg or .avi files onto thumb drives, SD cards or portable USB hard drives. The TS3 Cine sports its own 7\u201d touch screen panel, but for long distance control, it can also be operated from a PC or Mac via gigabit Ethernet using a standard web browser.<\/span><\/p>\n<p class=\"p7\"><span class=\"s1\"><b>SONY NEX FS 700<\/b><\/span><\/p>\n<p class=\"p7\"><span class=\"s1\">The\u00a0Sony NEX-FS700R Super 35 Camcorder body\u00a0is an update to Sony\u2019s NEX-FS700U that enables 4K\/2K 12-bit RAW output and S-Log2 recording capabilities. It retains all the features of the NEX-FS700U including the native 4K sensor, Super Slow Motion recording, built-in ND filters, and Cine Gamma curves. 4K\/2K RAW is recorded to the Sony AXS-R5 Recorder.<\/span><\/p>\n<p class=\"p8\"><span class=\"s1\"><b>Sony PMW-F55<\/b><\/span><span class=\"s3\"><b>\u00a0<\/b><\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">The F55 captures a huge 180 fps in 1080p internally, boasting a super clean image. In 4K it is a respectable 60fps internally, with 240 fps 16 bit raw at 2K with no image cropping attainable through the optional off-board recorder<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\"><b>Red Epic -5k<\/b><\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Epic-X<span class=\"Apple-converted-space\">\u00a0\u00a0<\/span>along with the\u00a0Mysterium-X 5k sensor,<span class=\"Apple-converted-space\">\u00a0\u00a0<\/span>image quality will be top-notch.<\/span><\/p>\n<p class=\"p9\"><span class=\"s1\">The Epic shoots the following rates:<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">1-120 fps 5K and 4.5K<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">1-150 fps 4K<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">1-200 fps 3K<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">1-300 fps 2K<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Additionally, flexibility can be nice as it will shoot standard frame rates: 23.98 through 59.94 fps for\u00a0all<b>\u00a0<\/b>resolutions.\u00a0The Epic is the only camera available to the market that is capable of a 120 frame rate at a 5k resolution.\u00a0<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Other models like Red Dragon,Weapon with their respective full resolution they shoot maximum frame rate of 300fps @ 2k.<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\"><b>Edgertronic<\/b><\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;1068&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<p class=\"p4\"><span class=\"s1\">This economically priced camera<b>\u00a0<\/b>is a huge breakthrough concerning high-speed cinematography for the indie-filmmaker, starting at only\u00a0$5,495<b>.<\/b>\u00a0It\u2019s a specialty super slow-motion camera packing\u00a0frame rates up to\u00a017,791\u00a0with resolutions up to 1280 x 1024<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Edgertronic High speed cameras are manufactured under the models SC-1, SC-2.<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\"><b>FT-ONE<\/b><\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">This high-speed camera designed for super-slow-motion acquisition at 4K resolution up to 900 frames per second (fps). The FT-ONE incorporates the groundbreaking FT1-CMOS, a global shutter CMOS color sensor. The FT-ONE CMOS was developed by FOR-A to provide superior resolution and sensitivity. RAW material is recorded at high speed to the internal RAM memory, which holds nearly 10 seconds of 4K content shot at 900 fps. For convenience, material can then be transferred to optional internal SSD cartridges.<\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<div class=\"fb-comments\" data-href=\"https:\/\/thesica.in\/ta\/high-speed-digital-cinematography-cameras\/\" data-numposts=\"10\" data-colorscheme=\"light\" data-order-by=\"social\"><\/div>","protected":false},"excerpt":{"rendered":"<p>High speed cinematography\u00a0involves shooting<\/p>\n","protected":false},"author":1,"featured_media":846,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.1","language":"ta","enabled_languages":["en","ta"],"languages":{"en":{"title":true,"content":true,"excerpt":true},"ta":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/1061"}],"collection":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/comments?post=1061"}],"version-history":[{"count":2,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/1061\/revisions"}],"predecessor-version":[{"id":1071,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/1061\/revisions\/1071"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media\/846"}],"wp:attachment":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media?parent=1061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/categories?post=1061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/tags?post=1061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}