{"id":10976,"date":"2025-11-24T06:32:23","date_gmt":"2025-11-24T06:32:23","guid":{"rendered":"https:\/\/thesica.in\/?p=10976"},"modified":"2025-11-24T06:32:23","modified_gmt":"2025-11-24T06:32:23","slug":"iffi-2025-new-era-ai-film-festival","status":"publish","type":"post","link":"https:\/\/thesica.in\/ta\/iffi-2025-new-era-ai-film-festival\/","title":{"rendered":"IFFI 2025: New era AI film Festival"},"content":{"rendered":"<p>IFFI 2025 \u2013 Global Cinema Expands with AI Innovation<\/p>\n<p>SICA President A.Karthikraaja was one among honorable juries for non feature section.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10979\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-113847.Google-263x300.png\" alt=\"\" width=\"263\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-113847.Google-263x300.png 263w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-113847.Google-899x1024.png 899w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-113847.Google-768x875.png 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-113847.Google.png 911w\" sizes=\"(max-width: 263px) 100vw, 263px\" \/><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10980\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-114101.Instagram-300x300.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-114101.Instagram-300x300.png 300w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-114101.Instagram-1024x1024.png 1024w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-114101.Instagram-150x150.png 150w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-114101.Instagram-768x768.png 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-114101.Instagram-500x500.png 500w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-114101.Instagram-400x400.png 400w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-114101.Instagram.png 1080w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>The 56th International Film Festival of India (IFFI 2025) will be held from November 20\u201328, 2025 in Panaji, Goa. With more than 240 films from 81 countries, this edition marks a major step forward in combining traditional cinematic excellence with the launch of India\u2019s first AI Film Festival.<\/p>\n<p>Various film personalities, technicians,students,film enthusiasts gathered in huge numbers, inclusive of Legendary Kamalhassan,artists from various countries, Cinematographers Sakthi Saravanan, Velraj and Popular VFX producer Ritto Prabu were there at GOA.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10981\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251124-WA0000-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251124-WA0000-212x300.jpg 212w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251124-WA0000-725x1024.jpg 725w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251124-WA0000-768x1085.jpg 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251124-WA0000.jpg 906w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10982\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251123-WA0089-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251123-WA0089-225x300.jpg 225w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251123-WA0089-768x1024.jpg 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251123-WA0089-1152x1536.jpg 1152w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251123-WA0089-1536x2048.jpg 1536w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251123-WA0089-scaled.jpg 1920w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10983\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251123-WA0083-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251123-WA0083-300x225.jpg 300w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251123-WA0083-1024x768.jpg 1024w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251123-WA0083-768x576.jpg 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251123-WA0083.jpg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong>Festival Highlights<\/strong><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10984\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/250px-The_Blue_Trail_film_poster-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/250px-The_Blue_Trail_film_poster-208x300.jpg 208w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/250px-The_Blue_Trail_film_poster.jpg 250w\" sizes=\"(max-width: 208px) 100vw, 208px\" \/><\/p>\n<p>240+ films, 81 participating countries<\/p>\n<p><strong>Opening Film:<\/strong> The Blue Trail (Brazil\u2013Mexico\u2013Chile\u2013Netherlands)<\/p>\n<p><strong>Closing Film:<\/strong> A Useful Ghost (Thailand\u2013France\u2013Singapore\u2013Germany)<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10985\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/MV5BZjlkMTUzNjgtNGQzNS00ODE5LTkzNzQtNDQ0Mjk2MjQwY2VlXkEyXkFqcGc@._V1_-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/MV5BZjlkMTUzNjgtNGQzNS00ODE5LTkzNzQtNDQ0Mjk2MjQwY2VlXkEyXkFqcGc@._V1_-212x300.jpg 212w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/MV5BZjlkMTUzNjgtNGQzNS00ODE5LTkzNzQtNDQ0Mjk2MjQwY2VlXkEyXkFqcGc@._V1_-723x1024.jpg 723w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/MV5BZjlkMTUzNjgtNGQzNS00ODE5LTkzNzQtNDQ0Mjk2MjQwY2VlXkEyXkFqcGc@._V1_-768x1088.jpg 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/MV5BZjlkMTUzNjgtNGQzNS00ODE5LTkzNzQtNDQ0Mjk2MjQwY2VlXkEyXkFqcGc@._V1_-1084x1536.jpg 1084w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/MV5BZjlkMTUzNjgtNGQzNS00ODE5LTkzNzQtNDQ0Mjk2MjQwY2VlXkEyXkFqcGc@._V1_.jpg 1445w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/p>\n<p><strong>Country of Focus: Japan<\/strong><\/p>\n<p><strong>Partner Country: Spain<\/strong><\/p>\n<p><strong>Spotlight Country: Australia<\/strong><\/p>\n<p>Retrospectives, tributes, restored classics, and masterclasses<\/p>\n<p>IFFI 2025 promotes the theme of \u201cbigger, bolder, brighter,\u201d balancing global artistic voices with new-age filmmaking.<\/p>\n<p><strong>Core Sections of IFFI 2025<\/strong><\/p>\n<p>International Competition \u2013 global films competing for the Golden Peacock<\/p>\n<p>Best Debut Feature Film of a Director<\/p>\n<p>Indian Panorama (Feature &amp; Non-Feature)<\/p>\n<p>ICFT-UNESCO Gandhi Medal<\/p>\n<p>Special Screenings, Retrospectives &amp; Restored Classics<\/p>\n<p>Masterclasses on sustainability, women-led cinema, and technology in filmmaking<\/p>\n<p><strong>Selected from Indian Panorama and competition streams:<\/strong><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10986\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115245.Google-281x300.png\" alt=\"\" width=\"281\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115245.Google-281x300.png 281w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115245.Google-960x1024.png 960w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115245.Google-768x819.png 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115245.Google.png 1047w\" sizes=\"(max-width: 281px) 100vw, 281px\" \/><\/p>\n<p>Amaran (Tamil) \u2013 Opening film of Indian Panorama<\/p>\n<p>Sarkeet (Malayalam) \u2013 experimental and socially rooted<\/p>\n<p>Pokkhirajer Dim (Bengali) \u2013 science-fantasy blending folklore<\/p>\n<p>Vimukt (Braj language) \u2013 independent voice from North India<\/p>\n<p>Imbu (Tulu) \u2013 regional storytelling with cultural depth<\/p>\n<p>Aata Thambaycha Naay (Marathi) \u2013 mainstream yet grounded in realism<\/p>\n<p>Thudarum (Malayalam) \u2013 emotional and performance-driven narrative<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10987\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115356.Google-258x300.png\" alt=\"\" width=\"258\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115356.Google-258x300.png 258w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115356.Google-881x1024.png 881w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115356.Google-768x892.png 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115356.Google.png 1080w\" sizes=\"(max-width: 258px) 100vw, 258px\" \/><\/p>\n<p>These selections underline linguistic diversity and the rise of regional cinema on global platforms.<\/p>\n<p><strong>International Competition \u2013 Key Films<\/strong><\/p>\n<p>The international section features some of the most anticipated global titles of 2025:<\/p>\n<p><strong>The Blue Trail<\/strong> (Brazil\/Mexico\/Chile\/Netherlands) \u2013 Opening Film, poetic cross-continental drama<\/p>\n<p><strong>Useful Ghost<\/strong><\/p>\n<p>(Thailand\/France\/Singapore\/Germany) \u2013 Closing Film, atmospheric supernatural narrative<\/p>\n<p><strong>Rosalie (France) \u2013<\/strong> character-driven historical drama exploring identity and transformation<\/p>\n<p><strong>The Settlers<\/strong> (Chile\u2013Argentina\u2013Denmark) \u2013 intense colonial-era drama with global acclaim<\/p>\n<p><strong>Static Silence (<\/strong>Poland\u2013Germany) \u2013 minimalist psychological thriller<\/p>\n<p><strong>Under the Sunless Sky (Japan) \u2013<\/strong> introspective and visually striking, aligning with the Country of Focus<\/p>\n<p><strong>Horizon of the Winds (Australia) \u2013<\/strong> ecological survival drama representing the Spotlight Country<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10988\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115625.Google-234x300.png\" alt=\"\" width=\"234\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115625.Google-234x300.png 234w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115625.Google-797x1024.png 797w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115625.Google-768x986.png 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115625.Google.png 971w\" sizes=\"(max-width: 234px) 100vw, 234px\" \/><\/p>\n<p>These films highlight shifting global concerns\u2014identity, migration, spirituality, climate, and cross-cultural memory.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10989\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115743.Google-247x300.png\" alt=\"\" width=\"247\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115743.Google-247x300.png 247w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115743.Google-843x1024.png 843w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115743.Google-768x933.png 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/Screenshot_20251124-115743.Google.png 1080w\" sizes=\"(max-width: 247px) 100vw, 247px\" \/><\/p>\n<p><strong>AI Film Festival \u2013 A Historic First<\/strong><\/p>\n<p>IFFI 2025 introduces India\u2019s first AI-focused film showcase, integrated into the main festival.<\/p>\n<p><strong>Key Features<\/strong><\/p>\n<p>Screenings of films created using AI tools<\/p>\n<p>Experiments in generative storytelling, virtual production, and algorithmic editing<\/p>\n<p>CineAI Hackathon presentations from innovators<\/p>\n<p>Industry talks on:<\/p>\n<p>digital likeness and rights<\/p>\n<p>ethics of AI-generated content<\/p>\n<p>future of acting and authorship<\/p>\n<p>Screenings are scheduled on Day 6 and Day 7, making this a central draw for students, creators, and tech-driven filmmakers.<\/p>\n<p>&#8212;<\/p>\n<p>Why IFFI 2025 Matters<\/p>\n<p>Brings global cinema and Indian regional voices onto the same stage<\/p>\n<p>Expands festival culture into technology-driven storytelling<\/p>\n<p>Encourages new creators, debut directors, and under-represented languages<\/p>\n<p>Offers networking, industry training, and exposure to future-ready filmmaking<\/p>\n<p>Sets a precedent for film festivals worldwide by embracing AI as part of mainstream programming<\/p>\n<p>&#8212;<\/p>\n<p>Conclusion<\/p>\n<p>IFFI 2025 is more than a celebration\u2014it is a turning point. With powerful international entries, strong Indian representation, and the debut of the AI Film Festival, this edition bridges cinema\u2019s artistic heritage with its technological future. For filmmakers, students, and educators, IFFI 2025 offers both inspiration and a preview of the next era of storytelling.<\/p>\n<p><strong>AI films list in international competition.<\/strong><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-10990\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251122-WA0081-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251122-WA0081-300x300.jpg 300w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251122-WA0081-1024x1024.jpg 1024w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251122-WA0081-150x150.jpg 150w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251122-WA0081-768x768.jpg 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251122-WA0081-500x500.jpg 500w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251122-WA0081-400x400.jpg 400w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/11\/IMG-20251122-WA0081.jpg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<hr \/>\n<h3>\u2705 <strong>Individual Filmmakers (India)<\/strong><\/h3>\n<ol>\n<li><strong>Miracle on Kachua Beach<\/strong> \u2013 Shivanshu Nirupam \u2013 Hindi \u2013 India<\/li>\n<li><strong>The Last Backup \u2013 Final Part<\/strong> \u2013 Sreerithanya M \u2013 English \u2013 <strong>Cinema Factory Academy, Chennai<\/strong><\/li>\n<li><strong>Jinx<\/strong> \u2013 Mansha Ttotla \u2013 English \u2013 India<\/li>\n<li><strong>Astitva<\/strong> \u2013 Anurag Tiwari, Prasad Gori &amp; Sagar Chogale \u2013 English \u2013 India<\/li>\n<\/ol>\n<hr \/>\n<h3>\u2705 <strong>Individual Filmmakers (International)<\/strong><\/h3>\n<ol start=\"5\">\n<li><strong>Meme, Myself and AIV<\/strong> \u2013 Chris Boyle \u2013 English \u2013 United Kingdom<\/li>\n<\/ol>\n<hr \/>\n<h3>\u2705 <strong>Burano AIFF<\/strong><\/h3>\n<ol start=\"6\">\n<li><strong>Aos de Papel<\/strong> \u2013 Arnau Zeas Siguenza \u2013 English\/Spanish \u2013 USA<\/li>\n<li><strong>The Star Shepherd<\/strong> \u2013 Xuan Li \u2013 English\/Chinese \u2013 China<\/li>\n<\/ol>\n<hr \/>\n<h3>\u2705 <strong>Omni Film Festival<\/strong><\/h3>\n<ol start=\"8\">\n<li><strong>The Ribbon<\/strong> \u2013 Ryan Patterson \u2013 English \u2013 Canada<\/li>\n<\/ol>\n<hr \/>\n<h3>\u2705 <strong>AI Film &amp; Art Festival (Arizona)<\/strong><\/h3>\n<ol start=\"9\">\n<li><strong>Sands of Time<\/strong> \u2013 Kevin Wang \u2013 Silent \u2013 United States<\/li>\n<li><strong>The Screenwriter<\/strong> \u2013 Bkl Boukala\u00efl \u2013 English \u2013 Belgium<\/li>\n<li><strong>Eve &amp; Adam<\/strong> \u2013 Meta Puppet \u2013 English \u2013 United States<\/li>\n<li><strong>Invisible Cities<\/strong> \u2013 Logik \u2013 English \u2013 United States<\/li>\n<li><strong>The Cinema That Never Was<\/strong> \u2013 Mark Wachholz \u2013 English \u2013 Germany<\/li>\n<\/ol>\n<hr \/>\n<h3>\u2705 <strong>Adobe<\/strong><\/h3>\n<ol start=\"14\">\n<li><strong>NAGORI<\/strong> \u2013 Guillaume Harbault \u2013 English \u2013 France<\/li>\n<li><strong>My Friend Zeph<\/strong> \u2013 Dave Clark \u2013 English \u2013 USA<\/li>\n<li><strong>Kyra<\/strong> \u2013 Meta Puppet \u2013 English \u2013 USA<\/li>\n<li><strong>Dreamer<\/strong> \u2013 Ryan Patterson \u2013 English \u2013 USA<\/li>\n<li><strong>ENTER THE BBL DRIZZYVERSE<\/strong> \u2013 Willionis Hatcher \u2013 English \u2013 USA<\/li>\n<li><strong>Beta Earth<\/strong> \u2013 Nik Kleverov \u2013 English \u2013 USA<\/li>\n<\/ol>\n<hr \/>\n<h3>\u2705 <strong>MetaMorph<\/strong><\/h3>\n<ol start=\"20\">\n<li><strong>A Letter in Early Fall<\/strong> \u2013 Zoey Zhang \u2013 English \u2013 United States<\/li>\n<li><strong>Pi in the Sky<\/strong> \u2013 Petra Molnar \u2013 English \u2013 United Kingdom<\/li>\n<li><strong>The Last Image<\/strong> \u2013 Frankie Caradonna \u2013 English \u2013 Italy<\/li>\n<li><strong>Bite for Love<\/strong> \u2013 Vitaly Nico \u2013 English \u2013 United Kingdom<\/li>\n<\/ol>\n<hr \/>\n<h3>\u2705 <strong>Additional Titles (Bottom Section)<\/strong><\/h3>\n<ol start=\"24\">\n<li><strong>Sludge \u2013 The Water Baron\u2019s Show<\/strong> \u2013 Grant Hunter \u2013 English \u2013 United Kingdom<\/li>\n<li><strong>Xero \u2013 Flame in the Wire<\/strong> \u2013 Paola Rocchetti \u2013 English \u2013 United States<\/li>\n<\/ol>\n<p>for closing note few lines on iffi goa 2025<\/p>\n<p>IFFI Goa 2025 has once again proved why it remains India\u2019s foremost window to world cinema, blending artistic excellence with cultural celebration in the heart of Panaji.\u00a0 As the curtains come down, the festival leaves behind new collaborations, unforgettable screenings and a renewed belief in cinema as a bridge between cultures.<\/p>\n<p>This 56th edition strengthened India\u2019s position on the global festival map with hundreds of films from across continents, vibrant red carpets, and energetic industry interactions that inspired both veterans and emerging voices.<\/p>\n<p>Beyond the screen, the Goan ambience, IFFIESTA evenings and warm hospitality turned the festival zone into a living campus of ideas, performances and cinematic discovery.<\/p>\n<p>As filmmakers, students and cinephiles return home, they carry not just memories of screenings but fresh stories to tell, new tools to explore and friendships that will shape the next chapter of cinema.\u00a0 Until IFFI Goa 2026 lights up the coastline again, the spirit of this festival will continue to travel through every frame created in its afterglow.<\/p>\n<p>Article drafted by<\/p>\n<p>CJ Rajkumar<\/p>\n<p>Author\/ Cinematographer<\/p>\n<p>&nbsp;<\/p>\n<div class=\"fb-comments\" data-href=\"https:\/\/thesica.in\/ta\/iffi-2025-new-era-ai-film-festival\/\" data-numposts=\"10\" data-colorscheme=\"light\" data-order-by=\"social\"><\/div>","protected":false},"excerpt":{"rendered":"<p>IFFI 2025 \u2013 Global Cinema Expands with AI Innovation SICA President A.Karthikraaja was one among honorable juries for non feature section. The 56th International Film Festival of India (IFFI 2025) will be held from November 20\u201328, 2025 in Panaji, Goa. With more than 240 films from 81 countries, this edition marks a major step forward [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":10989,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.1","language":"ta","enabled_languages":["en","ta"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"ta":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/10976"}],"collection":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/comments?post=10976"}],"version-history":[{"count":4,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/10976\/revisions"}],"predecessor-version":[{"id":10992,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/10976\/revisions\/10992"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media\/10989"}],"wp:attachment":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media?parent=10976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/categories?post=10976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/tags?post=10976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}