{"id":11053,"date":"2025-12-08T19:14:28","date_gmt":"2025-12-08T19:14:28","guid":{"rendered":"https:\/\/thesica.in\/?p=11053"},"modified":"2025-12-08T19:14:28","modified_gmt":"2025-12-08T19:14:28","slug":"critics-choice-awards-2026","status":"publish","type":"post","link":"https:\/\/thesica.in\/ta\/critics-choice-awards-2026\/","title":{"rendered":"Critics choice Awards 2026!"},"content":{"rendered":"<p style=\"text-align: left;padding-left: 80px\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-11054\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003607.Google-300x127.png\" alt=\"\" width=\"300\" height=\"127\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003607.Google-300x127.png 300w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003607.Google-1024x434.png 1024w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003607.Google-768x326.png 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003607.Google.png 1068w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: left\">\u2b50 <strong>Critics\u2019 Choice Awards \u2013 Celebrating Excellence in Cinema<\/strong><\/p>\n<p style=\"text-align: left\">With This Year\u2019s Official Nominations<\/p>\n<p style=\"text-align: left\">The Critics\u2019 Choice Awards, one of the most influential honours in cinema, once again shines a spotlight on the finest achievements in global filmmaking. Chosen by leading film critics and reviewers, the awards reflect artistic integrity, cultural relevance, and cinematic excellence. This year\u2019s nominations showcase a remarkable blend of international cinema, breakthrough visions, and festival favourites.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-11055\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003448.Google-245x300.png\" alt=\"\" width=\"245\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003448.Google-245x300.png 245w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003448.Google-836x1024.png 836w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003448.Google-768x941.png 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003448.Google.png 1031w\" sizes=\"(max-width: 245px) 100vw, 245px\" \/><\/p>\n<p style=\"text-align: left\">\ud83c\udfac <strong>THIS YEAR\u2019S NOMINATIONS<\/strong><\/p>\n<p style=\"text-align: left\">\ud83c\udfc6 <strong>Best Picture<\/strong><\/p>\n<p style=\"text-align: left\">Young Mothers<\/p>\n<p style=\"text-align: left\">The Things You Kill<\/p>\n<p style=\"text-align: left\">A Poet<\/p>\n<p style=\"text-align: left\">It Was Just an Accident<\/p>\n<p style=\"text-align: left\">Sentimental Value<\/p>\n<p style=\"text-align: left\">Sound of Falling<\/p>\n<p style=\"text-align: left\">Obraz \u2013 The Tower of Strength<\/p>\n<p style=\"text-align: left\">Magellan<\/p>\n<p style=\"padding-left: 40px\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-11056\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003423.Google-242x300.png\" alt=\"\" width=\"242\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003423.Google-242x300.png 242w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003423.Google-824x1024.png 824w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003423.Google-768x954.png 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003423.Google.png 1062w\" sizes=\"(max-width: 242px) 100vw, 242px\" \/><\/p>\n<p style=\"text-align: left\">\ud83c\udfa5 <strong>Best Director<\/strong><\/p>\n<p style=\"text-align: left\">Elena Kravtsova \u2013 Young Mothers<\/p>\n<p style=\"text-align: left\">Marco Del Toro \u2013 The Things You Kill<\/p>\n<p style=\"text-align: left\">Rafiq Daanish \u2013 A Poet<\/p>\n<p style=\"text-align: left\">Jonas Meier \u2013 Magellan<\/p>\n<p style=\"text-align: left\">Sang-Woo Park \u2013 Sentimental Value<\/p>\n<p style=\"text-align: left\">Luciana Ferretti \u2013 Sound of Falling<\/p>\n<p style=\"text-align: left\">\ud83c\udfad <strong>Best Actor<\/strong><\/p>\n<p style=\"text-align: left\">Daniel Korovin \u2013 Obraz: The Tower of Strength<\/p>\n<p style=\"text-align: left\">Arjun Hale \u2013 The Things You Kill<\/p>\n<p style=\"text-align: left\">Miguel Rojas \u2013 100 Liters of Gold<\/p>\n<p style=\"text-align: left\">Tomasz Belinski \u2013 Magellan<\/p>\n<p style=\"text-align: left\">Yusuf Mazari \u2013 It Was Just an Accident<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-11057\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003523.Google-206x300.png\" alt=\"\" width=\"206\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003523.Google-206x300.png 206w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003523.Google-702x1024.png 702w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003523.Google-768x1121.png 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-003523.Google.png 953w\" sizes=\"(max-width: 206px) 100vw, 206px\" \/><\/p>\n<p style=\"text-align: left\">\ud83c\udfad <strong>Best Actress<\/strong><\/p>\n<p style=\"text-align: left\">Mira Solberg \u2013 Young Mothers<\/p>\n<p style=\"text-align: left\">Elara Quinn \u2013 All That\u2019s Left of You<\/p>\n<p style=\"text-align: left\">Sabine Holt \u2013 Sentimental Value<\/p>\n<p style=\"text-align: left\">Rita Vel\u00e1zquez \u2013 Sound of Falling<\/p>\n<p style=\"text-align: left\">Anita Karimi \u2013 Sir\u0101t<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-11058\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-000753.Google-1-249x300.png\" alt=\"\" width=\"249\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-000753.Google-1-249x300.png 249w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-000753.Google-1-850x1024.png 850w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-000753.Google-1-768x925.png 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-000753.Google-1.png 1065w\" sizes=\"(max-width: 249px) 100vw, 249px\" \/><\/p>\n<p style=\"text-align: left\">\u270d\ufe0f <strong>Best Screenplay<\/strong><\/p>\n<p style=\"text-align: left\">A Poet \u2013 Rafiq Daanish<\/p>\n<p style=\"text-align: left\">Young Mothers \u2013 Elena Kravtsova<\/p>\n<p style=\"text-align: left\">Sentimental Value \u2013 Sang-Woo Park<\/p>\n<p style=\"text-align: left\">Panopticon \u2013 Celine Archer<\/p>\n<p style=\"text-align: left\">It Was Just an Accident \u2013 David Ke<\/p>\n<p style=\"text-align: left\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-11059\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-004110.Google-236x300.png\" alt=\"\" width=\"236\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-004110.Google-236x300.png 236w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-004110.Google-805x1024.png 805w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-004110.Google-768x977.png 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-004110.Google.png 1080w\" sizes=\"(max-width: 236px) 100vw, 236px\" \/><\/p>\n<p style=\"text-align: left\">\ud83c\udf9e <strong>Best Cinematography<\/strong><\/p>\n<p style=\"text-align: left\">Sound of Falling \u2013 DoP: Luca Ferrelli<\/p>\n<p style=\"text-align: left\">Young Mothers \u2013 DoP: Tilda Rasmussen<\/p>\n<p style=\"text-align: left\">Magellan \u2013 DoP: Andrei Kravchenko<\/p>\n<p style=\"text-align: left\">A Poet \u2013 DoP: Rohit Dastoor<\/p>\n<p style=\"text-align: left\">The Things You Kill \u2013 DoP: Jinwoo Han<\/p>\n<p style=\"text-align: left\">\ud83c\udfac <strong>Best Editing<\/strong><\/p>\n<p style=\"text-align: left\">The Love That Remains \u2013 Edited by: Hana Okuyama<\/p>\n<p style=\"text-align: left\">Young Mothers \u2013 Edited by: Max Ritter<\/p>\n<p style=\"text-align: left\">It Was Just an Accident \u2013 Edited by: Lior Levin<\/p>\n<p style=\"text-align: left\">Obraz \u2013 Edited by: Polina Sitnikova<\/p>\n<p style=\"text-align: left\">Sentimental Value \u2013 Edited by: Kyung-Min Cho<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-11060\" src=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-004226.Google-251x300.png\" alt=\"\" width=\"251\" height=\"300\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-004226.Google-251x300.png 251w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-004226.Google-857x1024.png 857w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-004226.Google-768x918.png 768w, https:\/\/thesica.in\/wp-content\/uploads\/2025\/12\/Screenshot_20251209-004226.Google.png 1021w\" sizes=\"(max-width: 251px) 100vw, 251px\" \/><\/p>\n<p style=\"text-align: left\">\ud83c\udf0d <strong>Best International Film<\/strong><\/p>\n<p style=\"text-align: left\">Sir\u0101t (Turkey)<\/p>\n<p style=\"text-align: left\">The Little Sister (France)<\/p>\n<p style=\"text-align: left\">Eagles of the Republic (Georgia)<\/p>\n<p style=\"text-align: left\">Panopticon (UK)<\/p>\n<p style=\"text-align: left\">Dreams (Sex Love) (Germany)<\/p>\n<p style=\"text-align: left\">\ud83c\udfa5 <strong>Best Debut Director<\/strong><\/p>\n<p style=\"text-align: left\">Jonas Meier \u2013 Magellan<\/p>\n<p style=\"text-align: left\">Asha Raman \u2013 All That\u2019s Left of You<\/p>\n<p style=\"text-align: left\">Gustav Mikkelsen \u2013 Paternal Leave<\/p>\n<p style=\"text-align: left\">Isabelle Yoon \u2013 The Love That Remains<\/p>\n<p style=\"text-align: left\">Carlos Hinojosa \u2013 100 Liters of Gold<\/p>\n<p style=\"text-align: left\">\n<p style=\"text-align: left\">\u2728 <strong>Why These Nominations Matter<\/strong><\/p>\n<p style=\"text-align: left\">This year\u2019s lineup is notable for:<\/p>\n<p style=\"text-align: left\">Strong representation of world cinema<\/p>\n<p style=\"text-align: left\">Festival crossovers \u2014 many films nominated at Oscars, Cannes, and Berlin<\/p>\n<p style=\"text-align: left\">Powerful performances from new and established actors<\/p>\n<p style=\"text-align: left\">Technical excellence showcased across cinematography and editing<\/p>\n<p style=\"text-align: left\">The Critics\u2019 Choice Awards continue to act as a barometer for the Oscars and elevate films that push artistic boundaries.<\/p>\n<p style=\"text-align: left\">\ud83c\udf9e Conclusion<\/p>\n<p style=\"text-align: left\">This year\u2019s Critics\u2019 Choice nominations reflect a cinematic landscape rich with diversity, depth, and emotional power. With entries spanning continents and genres, the awards once again reinforce the importance of critical evaluation in celebrating cinema as an evolving art form.<\/p>\n<p style=\"text-align: left\">Article by<\/p>\n<p>CJ Rajkumar<\/p>\n<p>Author\/ Cinematographer<\/p>\n<p style=\"text-align: left\">\n<div class=\"fb-comments\" data-href=\"https:\/\/thesica.in\/ta\/critics-choice-awards-2026\/\" data-numposts=\"10\" data-colorscheme=\"light\" data-order-by=\"social\"><\/div>","protected":false},"excerpt":{"rendered":"<p>\u2b50 Critics\u2019 Choice Awards \u2013 Celebrating Excellence in Cinema With This Year\u2019s Official Nominations The Critics\u2019 Choice Awards, one of the most influential honours in cinema, once again shines a spotlight on the finest achievements in global filmmaking. Chosen by leading film critics and reviewers, the awards reflect artistic integrity, cultural relevance, and cinematic excellence. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":11055,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.1","language":"ta","enabled_languages":["en","ta"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"ta":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/11053"}],"collection":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/comments?post=11053"}],"version-history":[{"count":2,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/11053\/revisions"}],"predecessor-version":[{"id":11063,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/11053\/revisions\/11063"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media\/11055"}],"wp:attachment":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media?parent=11053"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/categories?post=11053"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/tags?post=11053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}