{"id":11179,"date":"2026-02-09T16:28:27","date_gmt":"2026-02-09T16:28:27","guid":{"rendered":"https:\/\/thesica.in\/?p=11179"},"modified":"2026-02-11T12:59:42","modified_gmt":"2026-02-11T12:59:42","slug":"sica-event-state-govt-awards-65mm-camera","status":"publish","type":"post","link":"https:\/\/thesica.in\/ta\/sica-event-state-govt-awards-65mm-camera\/","title":{"rendered":"SICA event: State Govt Awards \/ 65mm Camera!"},"content":{"rendered":"

\ud83c\udf96\ufe0f SICA Felicitation Function \u2013 A Landmark Evening of Craft, Technology & Legacy<\/strong><\/p>\n

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The Southern\u00a0 India Cinematographers’ Association (SICA) function turned into a truly memorable evening at Prasad Lab Theatre \u2014 celebrating excellence in cinematography across television, short films and feature cinema, while also opening an exciting new technological chapter for working cinematographers.<\/p>\n

It was not just an awards ceremony \u2014 it was a rare convergence of award-winning artists, legendary mentors and next-generation cinema technology under one roof.<\/p>\n

The function opened with a dignified welcome address by President A Karthikraaja welcomed gathering, General Secretary Ilavarasu and treasurer Sakthi Saravanan were in the stage to receive award winners.<\/p>\n

The event was moderated by CJ Rajkumar author\/ Cinematographer<\/p>\n

They were felicitated and honoured by an inspiring panel of senior legends, led by:<\/p>\n

P. C. Sreeram<\/p>\n

K. R. Murthy<\/p>\n

S. Ashokrajan<\/p>\n

Muneer Ahamed<\/p>\n

C. S. Ravi Babu<\/p>\n

R. Devi Prasad<\/p>\n

K. V. Kanniyappan<\/p>\n

Their presence gave the ceremony an emotional depth \u2014 bridging generations of Tamil and Indian cinematography<\/p>\n

Tamil Nadu State Film Awards \u2013 Best Cinematography, along with a special honour for Best Film.<\/p>\n

The complete list of honoured cinematographers reflected nearly a decade of visual excellence \u2014 from long-running television narratives to technically ambitious feature films.<\/p>\n

The gathering of so many award winners in a single evening created an atmosphere of collective pride and professional solidarity among SICA members.<\/p>\n

Here is the official list of DOPs who received the Tamil Nadu State Government \u2013 Best Cinematography (Feature Film) awards (as honoured in your SICA function):<\/p>\n

\ud83c\udfac Tamil Nadu State Film Awards \u2013 Best Cinematography<\/p>\n

(Feature Films only)<\/p>\n

1. 2016 \u2013 M. Balasubramaniem \ud83c\udfa5 Kathakali<\/p>\n

2. 2017 \u2013 Chelladurai \ud83c\udfa5 Thiruttu Payale 2<\/p>\n

3. 2018 \u2013 R. Velraj \ud83c\udfa5 Vada Chennai<\/p>\n

4. 2019 \u2013 Theni Eswar \ud83c\udfa5 Peranbu<\/p>\n

5. 2020 \u2013 N. K. Ekambaram \ud83c\udfa5 Ka Pae Ranasingam<\/p>\n

6. 2021 \u2013 Richard M. Nathan \ud83c\udfa5 Maanaadu<\/p>\n

7. 2022 \u2013 Arthur A. Wilson \ud83c\udfa5 Iravin Nizhal<\/p>\n

\ud83c\udfac Tamil Nadu State Television Awards \u2013 Best Cinematography<\/strong><\/p>\n

Sai Prabhakar- Vairakkiyam<\/p>\n

R. K. Vickiraman \u2013 Tamarai (2015)<\/p>\n

S. Seenivasan \u2013 Priyamanaval (2016)<\/p>\n

S. Parthiban \u2013 Thaai Veedu (2017)<\/p>\n

U. K. Senthil Kumar \u2013 Nandini (2018)<\/p>\n

M. Ananthappan \u2013 Yaaradi Nee Mohini (2019)<\/p>\n

R. Saravanan \u2013 Bharathi Kannamma (2020)<\/p>\n

Saleem Bilal \u2013 Chithiram Pesuthadi (2021)<\/p>\n

K. Kesavan \u2013 Maari (2022)<\/p>\n

Tamil Nadu State Short Film Awards \u2013 Best Cinematography<\/strong>
\nB. N. Pragadeesh Jaananu \u2013 A Message from the Future (2019\u20132020)
\nM. C. Dharun Kumar \u2013 Azhagi (2020\u20132021)<\/p>\n

Special Mention<\/strong><\/p>\n

Best Film: Tolet – R Chezhiyan<\/p>\n

Best Actor: Santhosh Sreeram<\/p>\n

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\ud83d\ude80 Technology Showcase \u2013 Blackmagic URSA Cine 17K & Thalia Lenses<\/strong><\/p>\n

A major highlight of the event was the hands-on demonstration of the newly introduced Blackmagic URSA Cine 17K cinema camera, paired with Thalia cinema lenses.<\/p>\n

The camera system was presented through the support of:<\/p>\n

R. Velraj, RCS Raj Cine Service<\/p>\n

This showcase immediately became the centre of attention among senior and young cinematographers alike.<\/p>\n

\ud83d\udd0d Why the URSA Cine 17K impressed the community<\/p>\n

The Blackmagic URSA Cine 17K introduces a new large-format imaging platform with a 65 mm class sensor, offering:<\/p>\n

Extremely wide field of view without forcing ultra-wide lenses<\/p>\n

Natural perspective and spatial separation<\/p>\n

Exceptional image magnification control<\/p>\n

Large-format aspect ratio flexibility<\/p>\n

Remarkable high-resolution capture suited for future-proof theatrical mastering<\/p>\n

When paired with Thalia lenses, the system delivered:<\/p>\n

Clean edge-to-edge coverage on large-format sensors<\/p>\n

Controlled contrast and elegant highlight roll-off<\/p>\n

A natural cinematic rendering suitable for both theatrical and premium streaming workflows<\/p>\n

\ud83c\udfaf Field-of-View & Format \u2013 What truly excited cinematographers<\/p>\n

The strongest discussion point among the members was not merely resolution.<\/p>\n

Cinematographers were deeply engaged in evaluating:<\/p>\n

how the 65 mm format alters spatial perception,<\/p>\n

how subject-to-background relationships feel more immersive,and how large-format framing changes blocking and camera movement language.<\/p>\n

Many members were actively testing:<\/p>\n

practical field-of-view equivalence<\/p>\n

foreground-background compression<\/p>\n

and composition behaviour across different focal lengths.<\/p>\n

This became a genuine learning zone rather than a simple product display<\/p>\n

\ud83c\udfa5 Industry Perspective & Professional Validation<\/p>\n

Nirav Shah offered high praise for the new camera system, specifically highlighting:the extraordinary detail retention,<\/p>\n

refined image quality for large-screen exhibition,<\/p>\n

and the improved color science, especially considering the camera\u2019s efficient and manageable file sizes.<\/p>\n

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\ud83c\udfdb\ufe0f A Packed Hall \u2013 Strong SICA Member Participation<\/p>\n

The event witnessed large attendance from SICA members, reinforcing the growing interest in:next-generation camera systems,large-format cinematography,and evolving production technologies.<\/p>\n

The packed theatre reflected a strong professional culture \u2014 where learning, experimentation and artistic dialogue continue beyond individual projects.<\/p>\n

An Afternoon that Celebrated Both Legacy and the Future.<\/p>\n

Article drafted by<\/p>\n

CJ Rajkumar<\/p>\n

Author\/ Cinematographer<\/p>\n

<\/div>","protected":false},"excerpt":{"rendered":"

\ud83c\udf96\ufe0f SICA Felicitation Function \u2013 A Landmark Evening of Craft, Technology & Legacy The Southern\u00a0 India Cinematographers’ Association (SICA) function turned into a truly memorable evening at Prasad Lab Theatre \u2014 celebrating excellence in cinematography across television, short films and feature cinema, while also opening an exciting new technological chapter for working cinematographers. It was […]<\/p>\n","protected":false},"author":2,"featured_media":11193,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.1","language":"ta","enabled_languages":["en","ta"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"ta":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/11179"}],"collection":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/comments?post=11179"}],"version-history":[{"count":3,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/11179\/revisions"}],"predecessor-version":[{"id":11196,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/11179\/revisions\/11196"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media\/11193"}],"wp:attachment":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media?parent=11179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/categories?post=11179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/tags?post=11179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}