{"id":1189,"date":"2017-01-29T11:29:31","date_gmt":"2017-01-29T11:29:31","guid":{"rendered":"http:\/\/thesica.in\/?p=1189"},"modified":"2017-12-03T06:34:47","modified_gmt":"2017-12-03T06:34:47","slug":"a-journey-through-cinematography-cameras","status":"publish","type":"post","link":"https:\/\/thesica.in\/ta\/a-journey-through-cinematography-cameras\/","title":{"rendered":"A JOURNEY THROUGH CINEMATOGRAPHY CAMERAS"},"content":{"rendered":"<p>[vc_row][vc_column][vc_column_text]When first moving pictures were shown on \u2018The Lumiere Cinematograph\u2019 on December 28, 1895 in a Paris cafe \u201cThe Arrival of a Train\u201d at \u00a0La Ciotat Station, on their special machine.<\/p>\n<p>Many thought that movies would never become popular. In less than a year, cinemas started to open in Europe and the USA. People loved movies.<\/p>\n<p>Invention of Cinematographic cameras happened almost at different parts of world. Here, a glimpse of events those lead to see the most fascinating Invention of Motion picture cameras.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;1190&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\u2022 1670\u00a0\u2013 Robert Boyle and Robert Hooke developed the first portable photographic camera, \u201cCamera Obscura\u201d.<\/p>\n<p>\u2022 1826 \u2013 Niepce has the honour of taking the world\u2019s first photograph and it is named as \u201cView from the window at Le Gras\u201d.<\/p>\n<p>\u2022 1829 \u2013 Louis Daguerre formed a partnership with Niepce to improve photographic process.<\/p>\n<p>\u2022 1839 \u2013 Henry Fox Talbot makes an important advancement in photograph production with the introduction of negatives on paper as opposed to glass. Also around this time it became possible to print photographic images on glass slides which could be projected using magic lanterns.<\/p>\n<p>\u2022 1846\u00a0\u2013 Important in the development of motion pictures was the invention of intermittent mechanisms \u2013 particularly those used in sewing machines.<\/p>\n<p>\u2022 1877\u00a0\u2013 Emile Reynaud introduces the Praxinoscope. Similar in design to Horner\u2019s Zoetrope, the illusion of movement produced by the Praxinoscope was viewed on mirrors in the centre of the drum rather than through slots on the outside.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;1191&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\u2022 1878\u00a0\u2013 Eadweard Muybridge achieves success after five years of trying to capture movement. He did this by setting up a bank of twelve cameras with trip-wires connected to their shutters; each camera took a picture when the horse tripped its wire. Muybridge developed a projector to present his finding. He adapted Horner\u2019s Zoetrope to produce his Zoopraxinoscope.<\/p>\n<p>\u2022 1880 \u2013 Edison made the first public demonstration of his incandescent light bulb in Menlo Park.<\/p>\n<p>\u2022 1882\u00a0\u2013 Etienne Marey, a French Scientist made a chronophotographic gun which was capable of taking 12 consecutive frames a second and the most interesting fact is that all the frames were recorded on the same picture. The result was a photographic gun which exposed 12 images on the edge of a circular plate. Etienne Jules Marey, inspired by Muybridge\u2019s animal locomotion studies, begins his own experiments to study the flight of birds and other rapid animal movements.<\/p>\n<p>\u2022 1882\u00a0\u2013 Emile Reynaud expands on his praxinoscope and using mirrors and a lantern is about to project moving drawings onto a screen.<\/p>\n<p>\u2022 1889 \u2013 Etienne Marey used George Eastman\u2019s film on the Cinema projector. He is widely considered to be a pioneer of\u00a0photography\u00a0and an influential pioneer of the\u00a0history of cinema.<\/p>\n<p>\u2022 1890 \u2013 Eastman Kodak began mass producing flexible film in the early 1890s.<\/p>\n<p>\u2022 1892 \u2013 Thomas Alva Edison meets Etienne Marey to learn about the uses of film.<\/p>\n<h2><strong>BOULY CINEMATOGRAPHE<\/strong><\/h2>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;1192&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Leon \u00a0Bouly,\u00a0 a French inventor created a device called \u2018cinematographe\u2019.<\/p>\n<p>In Bouly Cinematographe, the film is driven by a segmental roller and stopped intermittently by a pressure pad. Bouly deposited a second patent on 27<sup>th<\/sup>\u00a0December 1893, for a machine said to be capable of both filming and projecting. The Bouly used a film which were not perforated that would not have given a steady projection.<\/p>\n<p>These devices are conserved in the French Conservatoire National des Arts et Metiers (National Conservatory of Arts and Crafts) Paris.<\/p>\n<p>Later the patent for this device was bought by the Lumiere Brothers, who applied it to their own device in 1895.<\/p>\n<h2><strong>BLACK MARIA (EDISON THEATRE)<\/strong><\/h2>\n<p>In 1893, world\u2019s first film production studio, the Black Maria or the Kinetographic Theater was completed on the grounds of Edison\u2019s Laboratories (at West Orange, New Jersey) for the purpose of making film strips for the Kinetoscope. \u00a0Its construction began on December 1892.<\/p>\n<p>In early May 1893 at the Brooklyn Institute of Arts and Sciences, Edison conducted the world\u2019s first public demonstration of films shot using the Kinetograph in the Black Maria with a Kinetoscope viewer.<\/p>\n<p><strong>(TO BE CONTINUED)<\/strong>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<div class=\"fb-comments\" data-href=\"https:\/\/thesica.in\/ta\/a-journey-through-cinematography-cameras\/\" data-numposts=\"10\" data-colorscheme=\"light\" data-order-by=\"social\"><\/div>","protected":false},"excerpt":{"rendered":"<p>When first moving pictures were shown on \u2018The Lumiere<\/p>\n","protected":false},"author":1,"featured_media":2737,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.1","language":"ta","enabled_languages":["en","ta"],"languages":{"en":{"title":true,"content":true,"excerpt":true},"ta":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/1189"}],"collection":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/comments?post=1189"}],"version-history":[{"count":2,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/1189\/revisions"}],"predecessor-version":[{"id":1194,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/1189\/revisions\/1194"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media\/2737"}],"wp:attachment":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media?parent=1189"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/categories?post=1189"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/tags?post=1189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}