{"id":4636,"date":"2018-11-20T22:31:48","date_gmt":"2018-11-20T22:31:48","guid":{"rendered":"http:\/\/thesica.in\/?p=4636"},"modified":"2018-11-21T17:11:42","modified_gmt":"2018-11-21T17:11:42","slug":"iffi-2018-world-cinema","status":"publish","type":"post","link":"https:\/\/thesica.in\/ta\/iffi-2018-world-cinema\/","title":{"rendered":"IFFI 2018 : WORLD CINEMA"},"content":{"rendered":"

The 49th edition of International film festival of India (IFFI) began on 20th November 2018 with a star-studded opening ceremony.
\nGovernor of Goa Mridula Sinha, Union Minister of State for Information and Broadcasting Col. Rajyavardhan Rathore and CBFC chief Prasoon Joshi graced the opening gala held at the Shyama Prasad Mukherjee Indoor Stadium in Goa.<\/p>\n

IFFI 2018\u00a0 at Goa\u00a0 will showcase 212 films from over 68 countries. Among other attractions, a retrospective of legendary Swedish filmmaker Ingmar Bergman series is one of this edition’s key highlights.\u00a0Summer With Monika, Wild Strawberries, The Seventh Seal, Persona, Autumn Sonata\u00a0<\/i>are just some of his films that will be screened at IFFI this year.<\/p>\n

Here list of\u00a0 few films not to be\u00a0 missed among many foreign feature films.<\/p>\n

3 FACES\u00a0<\/strong><\/p>\n

3 Faces (Persian: Se rokh ) is a 2018 Iranian drama film directed by Jafar Panahi and starring Behnaz Jafari and Panahi as themselves.
\nIt was selected to compete for the Palme d’Or at the 2018 Cannes Film Festival.
\nAt Cannes, Panahi and co-writer Nader Saeivar won the award for Best Screenplay<\/p>\n

\"\"<\/p>\n

Cold War<\/strong> | Zimna wojna (original title) |1h 28min | Drama , Music , Romance | 21 December 2018 (USA)
\nDirector: Pawel Pawlikowski<\/p>\n

\"\"<\/p>\n

The Wild Pear Tree<\/strong> (Turkish: Ahlat A\u011fac\u0131) is a 2018 Turkish drama film directed by Nuri Bilge Ceylan.<\/p>\n

It was selected to compete for the Palme d’Or at the 2018 Cannes Film Festival.
\nIt was also selected as the Turkish entry for the Best Foreign Language Film at the 91st Academy Awards.<\/p>\n

The Wild Pear Tree\u00a0offers a nuanced window into the everyday realities of Turkish youth and what it means to let go of your dreams.<\/p>\n

\"\"<\/p>\n

An Elephant Sitting Still<\/strong> (Chinese) is a 2018 Chinese film written, directed and edited by Hu Bo (also known by his pen name Hu Qian).<\/p>\n

The first and last film of the novelist-turned-director Hu who committed suicide soon after finishing his film on 12 October 2017 at the age of 29, it is based on a story with the same title from his 2017 novel Huge Crack.
\nIt made its world premiere at the 68th Berlin International Film Festival.<\/p>\n

\"\"<\/p>\n

Shoplifters\/JAPAN<\/strong> ( Manbiki Kazoku, literally Shoplifting Family) is a 2018 Japanese drama film directed, written and edited by Hirokazu Kore-eda.
\nStarring Lily Franky and Sakura Ando, it is about a family who rely on shoplifting to cope with a life of poverty.<\/p>\n

The film premiered on 13 May 2018 at the Cannes Film Festival, where it went on to win the Palme d’Or.
\nThe film was released in Japan on 8 June 2018 and was a critical and commercial success.<\/p>\n

\"\"<\/p>\n

Climax (French)<\/strong><\/p>\n

Gasper Noe’s\u00a0 Climax is one the cinematic experience of the year that provocatively dazzles with raucous energy<\/p>\n

\"\"<\/p>\n

This year IFFI 2018 Country focus is Films from ISRAEL.<\/p>\n

CJ Rajkumar<\/strong><\/p>\n

Author\/Cinematographer<\/strong><\/p>\n

<\/div>","protected":false},"excerpt":{"rendered":"

The 49th edition of International film festival of India (IFFI) began on 20th November 2018 with a star-studded opening ceremony. Governor of Goa Mridula Sinha, Union Minister of State for Information and Broadcasting Col. Rajyavardhan Rathore and CBFC chief Prasoon Joshi graced the opening gala held at the Shyama Prasad Mukherjee Indoor Stadium in Goa. […]<\/p>\n","protected":false},"author":2,"featured_media":4639,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.1","language":"ta","enabled_languages":["en","ta"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"ta":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/4636"}],"collection":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/comments?post=4636"}],"version-history":[{"count":4,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/4636\/revisions"}],"predecessor-version":[{"id":4647,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/4636\/revisions\/4647"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media\/4639"}],"wp:attachment":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media?parent=4636"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/categories?post=4636"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/tags?post=4636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}