{"id":7290,"date":"2021-03-23T07:08:04","date_gmt":"2021-03-23T07:08:04","guid":{"rendered":"http:\/\/thesica.in\/?p=7290"},"modified":"2021-03-23T07:08:04","modified_gmt":"2021-03-23T07:08:04","slug":"national-film-awards-2021","status":"publish","type":"post","link":"https:\/\/thesica.in\/ta\/national-film-awards-2021\/","title":{"rendered":"National Film Awards 2021"},"content":{"rendered":"<p class=\"synopsis\">67th\u00a0 National Film Awards are given out by the Directorate of Film Festivals, an organisation that comes under the Ministry of Information and Broadcasting to encourage art of film making in various category fiction, non fiction, documentary and short films and writing on Cinema.<\/p>\n<p><img loading=\"lazy\" class=\"aligncenter size-full wp-image-7293\" src=\"http:\/\/thesica.in\/wp-content\/uploads\/2021\/03\/images.jpeg\" alt=\"\" width=\"743\" height=\"413\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2021\/03\/images.jpeg 743w, https:\/\/thesica.in\/wp-content\/uploads\/2021\/03\/images-300x167.jpeg 300w\" sizes=\"(max-width: 743px) 100vw, 743px\" \/>National film awards full list.<\/p>\n<p>Best Feature Film \u2014 <em>Marakkar Lion of the Arabian Sea<\/em>, Priyadarshan<\/p>\n<p>Best Actor in lead role- Manoj Bhajpai and Dhanush<\/p>\n<p>Best Actress in lead role- Kangana Ranaut.<\/p>\n<p>Best Supporting Actress\u00a0\u2014\u00a0<em>The Tashkent Files<\/em>, Pallavi Joshi<\/p>\n<p>Best Supporting Actor\u00a0\u2014\u00a0<em>Super Deluxe<\/em>, Vijay Sethupathi<\/p>\n<p>Best Child artiste\u00a0\u2014 Naga Vishal<\/p>\n<p>Special Mention Award \u2014\u00a0<em>Biryani, Jonaki Pa, Lata Bhagwan Kare, Picasso<\/em><\/p>\n<p>Best Film on Social Issue\u00a0\u2014\u00a0<em>Anandi Gopal<\/em><\/p>\n<p>Best Film providing wholesome entertainment\u00a0\u2014\u00a0<em>Maharishi<\/em><\/p>\n<p><strong><img loading=\"lazy\" class=\"aligncenter size-full wp-image-7291\" src=\"http:\/\/thesica.in\/wp-content\/uploads\/2021\/03\/IMG_20210323_123042.jpg\" alt=\"\" width=\"367\" height=\"703\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2021\/03\/IMG_20210323_123042.jpg 367w, https:\/\/thesica.in\/wp-content\/uploads\/2021\/03\/IMG_20210323_123042-157x300.jpg 157w\" sizes=\"(max-width: 367px) 100vw, 367px\" \/>Best Cinematography: <em>Jallikattu<\/em>\u00a0(Malayalam)<\/strong><\/p>\n<p>Best Children Film:\u00a0<em>Kastoori<\/em>\u00a0(Hindi)<\/p>\n<p>Best Film on Environment Conservation:\u00a0<em>Water Burial<\/em><\/p>\n<p>Indira Gandhi Award for Best Debut Film of a Director &#8211;\u00a0<em>Helen,\u00a0<\/em>Mathukutty Xavier<\/p>\n<p><strong>Best Regional Films<\/strong><\/p>\n<p>Best Tulu Film:\u00a0<em>Pingara<\/em><\/p>\n<p>Best Paniya Film:\u00a0<em>Kenjira<\/em><\/p>\n<p>Best Mishing Film:\u00a0<em>Anu Ruwad<br \/>\n<\/em><br \/>\nBest Khasi Film:\u00a0<em>Lewduh<br \/>\n<\/em><br \/>\nBest Haryanvi Film:\u00a0<em>Chhoriyan Chhoron Se Kam Nahi Hoti<br \/>\n<\/em><br \/>\nBest Chattisgarhi Film:\u00a0<em>Bhulan The Maze<br \/>\n<\/em><br \/>\nBest Telugu Film:\u00a0<em>Jersey<br \/>\n<\/em><br \/>\nBest Tamil Film:\u00a0<em>Asuran<br \/>\n<\/em><br \/>\nBest Punjabi Film:\u00a0<em>Rab Da Radio 2<br \/>\n<\/em><br \/>\nBest Odiya Film:<em>\u00a0Sala Budhar Badla and Kalira Atita<br \/>\n<\/em><br \/>\nBest Manipuri Film:\u00a0<em>Eigi Kona<br \/>\n<\/em><br \/>\nBest Malayalam Film:\u00a0<em>Kalla Nottam<br \/>\n<\/em><br \/>\nBest Marathi Film:\u00a0<em>Bardo<br \/>\n<\/em><br \/>\nBest Konkani Film:\u00a0<em>Kaajro<br \/>\n<\/em><br \/>\nBest Kannada Film:\u00a0<em>Akshi<br \/>\n<\/em><br \/>\nBest Hindi Film:\u00a0<em>Chhichhore<br \/>\n<\/em><br \/>\nBest Bengali Film:\u00a0<em>Gumnaami<\/em><\/p>\n<p>Best Assamese Film:\u00a0<em>Ronuwa- Who Never Surrender<\/em><\/p>\n<p>Best Action Direction Award Stunt:\u00a0<em>Avane Srimannarayana<\/em>\u00a0(Kannada)<\/p>\n<p>Best Choreography:\u00a0<em>Maharshi<\/em>\u00a0(Telugu)<\/p>\n<p>Best Special Effects:\u00a0<em>Marakkar: Lion of the Arabian Sea\u00a0<\/em>(Malayalam)<\/p>\n<p>Special Jury Award:\u00a0<em>Oththa Seruppu Size-7<\/em>\u00a0(Tamil)<\/p>\n<p>Best Lyrics:\u00a0<em>Kolaambi<\/em>\u00a0(Malayalam)<\/p>\n<p><strong>Best Music Direction<br \/>\n<\/strong><br \/>\nSongs:\u00a0<em>Viswasam<\/em>\u00a0(Tamil)<\/p>\n<p>Music Direction:\u00a0<em>Jyeshthoputro\u00a0<\/em>(Bengali)<\/p>\n<p>Best Female Playback Singer:\u00a0<em>Bardo<\/em>\u00a0(Marathi)<\/p>\n<p>Best Male Playback Singer:\u00a0<em>Kesri<\/em>, &#8216;<em>Teri Mitti<\/em>\u00a0&#8216;(Hindi)<\/p>\n<p>Make-Up Artist: Ranjith,\u00a0<em>Helen<br \/>\n<\/em><br \/>\nBest Costume Designer:\u00a0Sujith Sudhakaran and V Sai,\u00a0<em>Marakkar: Arabikadalinte Simham<\/em><\/p>\n<p>Best Production Design:\u00a0<em>Anandi Gopal<br \/>\n<\/em><br \/>\nBest Editing:\u00a0<em>Jersey<\/em>\u00a0(Telugu)<\/p>\n<p>Best Audiography:\u00a0<em>Lewduh<\/em>\u00a0(Khasi)<\/p>\n<p><strong>Screenplay<\/strong><\/p>\n<p>Best Original Screenplay\u00a0\u2014\u00a0<em>Jyeshthoputro,\u00a0<\/em>Kaushik Ganguly<\/p>\n<p>Best Adapted Screenplay\u00a0\u2014\u00a0<em>Gumnaami<\/em><\/p>\n<p>Best Dialogues\u00a0\u2014 Vivek Ranjan Agnihotri,\u00a0<em>Takshent Files<\/em><\/p>\n<p>Most Film-Friendly state\u00a0\u2014 Sikkim<\/p>\n<p>Best Book on Cinema:<strong>\u00a0<\/strong>A Gandhian Affair: India&#8217;s Curious Portrayal of Love in Cinema by Sanjay Suri<b><\/b><\/p>\n<p>(Special mention-\u00a0<em>Cinema Paharana Manus<\/em>\u00a0written by Ashok Rane;\u00a0<em>Kannada Cinema: Jagathika Cinema Vikasa-Prerane Prabhava<\/em>\u00a0written by PR Ramadasa Naidu)<\/p>\n<p>Best Film Critic:<strong>\u00a0<\/strong>Sohini Chattopadhyay<\/p>\n<p><strong>The winners in the non-feature films category are:<\/strong><\/p>\n<p>Best Narration:\u00a0<em>Wild Karnataka,<\/em>\u00a0Sir David Attenborough<\/p>\n<p>Best Editing:\u00a0<em>Shut Up Sona<\/em>, Arjun Gourisaria<\/p>\n<p>Best Audiography:\u00a0<em>Radha<\/em>\u00a0(Musical), Allwin Rego and Sanjay Maurya<\/p>\n<p>Best On-Location Sound Recordist:\u00a0<em>Rahas<\/em>\u00a0(Hindi), Saptarshi Sarkar<\/p>\n<p>Best Cinematography:\u00a0<em>Sonsi<\/em>, Savita Singh<\/p>\n<p>Best Direction:\u00a0<em>Knock Knock Knock<\/em>\u00a0(English\/Bengali), Sudhanshu Saria<\/p>\n<p>Family Values:\u00a0<em>Oru Paathiraa Swapnam Pole<\/em>\u00a0(Malayalam)<\/p>\n<p>Best Short Fiction Film:\u00a0<em>Custody<\/em>\u00a0(Hindi\/English)<\/p>\n<p>Special Jury Award:\u00a0<em>Small Scale Societies<\/em>\u00a0(English)<\/p>\n<div class=\"inline-story-add\">\n<div class=\"adtext\">Best Animation Film:\u00a0<em>Radha<\/em>\u00a0(Musical)<\/div>\n<\/div>\n<p>Best Investigative Film:\u00a0<em>Jakkal<\/em><\/p>\n<p>Best Exploration Film:\u00a0<em>Wild Karnataka<\/em>\u00a0(English)<\/p>\n<p>Best Education Film:\u00a0<em>Apples and Oranges<\/em>\u00a0(English)<\/p>\n<p>Best Film on Social Issues:\u00a0<em>Holy Rights<\/em>\u00a0(Hindi) and\u00a0<em>Ladli<\/em>\u00a0(Hindi)<\/p>\n<p>Best Environment Film:\u00a0<em>The Stork Saviours<\/em>\u00a0(Hindi)<\/p>\n<p>Best Promotional Film:\u00a0<em>The Shower<\/em>\u00a0(Hindi)<\/p>\n<p>Best Art and Culture Film:\u00a0<em>Shrikshetra-Ru-Sahijata<\/em>\u00a0(Odia)<\/p>\n<p>Best Biographical Film:<em>\u00a0Elephants Do Remember<\/em>\u00a0(English)<\/p>\n<p>Best Ethnographic Film:\u00a0<em>Charan-Atva The Essence of Being a Nomad<\/em>\u00a0(Gujarati)<\/p>\n<p>Best Debut Non-Feature Film of a Director:\u00a0<em>Khisa<\/em>\u00a0(Marathi)<\/p>\n<p>Best Non-Feature Film:\u00a0<em>An Engineered Dream<\/em>\u00a0(Hindi)<\/p>\n<p>Compiled by<\/p>\n<p>CJ Rajkumar<\/p>\n<div class=\"fb-comments\" data-href=\"https:\/\/thesica.in\/ta\/national-film-awards-2021\/\" data-numposts=\"10\" data-colorscheme=\"light\" data-order-by=\"social\"><\/div>","protected":false},"excerpt":{"rendered":"<p>67th\u00a0 National Film Awards are given out by the Directorate of Film Festivals, an organisation that comes under the Ministry of Information and Broadcasting to encourage art of film making in various category fiction, non fiction, documentary and short films and writing on Cinema. National film awards full list. Best Feature Film \u2014 Marakkar Lion [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7293,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.1","language":"ta","enabled_languages":["en","ta"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"ta":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/7290"}],"collection":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/comments?post=7290"}],"version-history":[{"count":1,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/7290\/revisions"}],"predecessor-version":[{"id":7294,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/7290\/revisions\/7294"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media\/7293"}],"wp:attachment":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media?parent=7290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/categories?post=7290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/tags?post=7290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}