{"id":7690,"date":"2021-11-18T17:53:38","date_gmt":"2021-11-18T17:53:38","guid":{"rendered":"http:\/\/thesica.in\/?p=7690"},"modified":"2021-11-18T17:53:38","modified_gmt":"2021-11-18T17:53:38","slug":"camerimage-2021-celeberating-cinematography","status":"publish","type":"post","link":"https:\/\/thesica.in\/ta\/camerimage-2021-celeberating-cinematography\/","title":{"rendered":"Camerimage 2021: Celeberating Cinematography"},"content":{"rendered":"

The International Film Festival of the Art of Cinematography Camerimage is a festival dedicated to the celebration of cinematography and recognition of its creators, cinematographers.<\/p>\n

This is the only festival where visual language takes first place, 29th<\/sup> EDITION\u00a0 calendar falls from 13-20 November 2021, TORUN, Poland.<\/p>\n

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\"\"<\/strong><\/p>\n

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FILMS in the competition\u00a0<\/strong><\/p>\n

Golden Frog<\/div>\n
\n
Cinematographers’ Debuts Competition<\/strong><\/div>\n
\n
\n
\"Annular<\/div>\n
\n
\n
Annular Eclipse<\/span><\/div>\n
Ji yi qiu long (original title)-\u00a0 DOP Yi Fang<\/span><\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"Back<\/div>\n
\n
\n
Back to the Wharf<\/span><\/div>\n
Feng ping lang jing (original title)-DOP\u00a0 Songri Piao<\/span><\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"Bipolar\"<\/div>\n
\n
\n
Bipolar- DOP <\/span>Yuming Ke<\/span><\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"Chupacabra\"<\/div>\n
\n
\n
Chupacabra- DOP <\/span>Aleksey Venzos<\/span><\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"No<\/div>\n
\n
\n
No Man of God- DOP <\/span>Karina Silva<\/span><\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"North<\/div>\n
\n
\n
North Hollywood- DOP <\/span>Ayinde Anderson<\/span><\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"Son<\/div>\n
\n
\n
Son of Monarchs- DOP <\/span>Alejandro Mej\u00eda<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
<\/div>\n<\/div>\n
FEATURE FILMS under Main Competition<\/strong><\/div>\n
\n
\n
\"Animals\"<\/div>\n
\n
\n
Animals- <\/span>Frank van den Eeden<\/span>\u00a0(cinematographer),\u00a0Nabil Ben Yadir<\/span>\u00a0(director)<\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"Belfast\"<\/div>\n
\n
\n
Belfast- <\/span>Haris Zambarloukos<\/span>\u00a0(cinematographer),\u00a0Kenneth Branagh<\/span>\u00a0(director)<\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"C'mon<\/div>\n
\n
\n
C’mon C’mon- <\/span>Robbie Ryan<\/span>\u00a0(cinematographer),\u00a0Mike Mills<\/span>\u00a0(director)<\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"Dune\"<\/div>\n
\n
\n
Dune<\/span><\/div>\n
Dune: Part One (original title)- Greig Fraser<\/span>\u00a0(cinematographer),\u00a0Denis Villeneuve<\/span>\u00a0(director)<\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"Eight<\/div>\n
\n
\n
Eight for Silver- <\/span>Sean Ellis<\/span>\u00a0(cinematographer\/director)<\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"Hinterland\"<\/div>\n
\n
\n
Hinterland- <\/span>Benedict Neuenfels<\/span>\u00a0(cinematographer),\u00a0Stefan Ruzowitzky<\/span>\u00a0(director)<\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"King<\/div>\n
\n
\n
King Richard- <\/span>Robert Elswit<\/span>\u00a0(cinematographer),\u00a0Reinaldo Marcus Green<\/span>\u00a0(director)<\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"Respect\"<\/div>\n
\n
\n
Respect- <\/span>Kramer Morgenthau<\/span>\u00a0(cinematographer),\u00a0Liesl Tommy<\/span>\u00a0(director)<\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"The<\/div>\n
\n
\n
The French Dispatch- <\/span>Robert D. Yeoman<\/span>\u00a0(cinematographer),\u00a0Wes Anderson<\/span>\u00a0(director)<\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"The<\/div>\n
\n
\n
The Getaway King<\/span><\/div>\n
Najmro: Kocha, kradnie, szanuje (original title)- Jacek Podg\u00f3rski<\/span>\u00a0(cinematographer),\u00a0Mateusz Rakowicz<\/span>\u00a0(director)<\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"The<\/div>\n
\n
\n
The Last Duel- <\/span>Dariusz Wolski<\/span>\u00a0(cinematographer),\u00a0Ridley Scott<\/span>\u00a0(director)<\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"The<\/div>\n
\n
\n
The Last Execution<\/span><\/div>\n
Nahschuss (original title)- Nikolai von Graevenitz<\/span>\u00a0(cinematographer),\u00a0Franziska St\u00fcnkel<\/span>\u00a0(director)<\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\"The<\/div>\n
\n
\n
The Tragedy of Macbeth- <\/span>Bruno Delbonnel<\/span>\u00a0(cinematographer),\u00a0Joel Coen<\/span>\u00a0(director)<\/div>\n<\/div>\n<\/div>\n
<\/div>\n
Winners from the above films list would be announced during final day of the event with awards<\/div>\n
Golden Frog, Silver frog and Bronze frog.<\/div>\n<\/div>\n
\n

Cinematographers Payed Tribute to Fallen Colleague Halyna Hutchins at on going film festival at camerimage who was \u00a0fatally shot on the set of \u201cRust\u201d in New Mexico last month in an apparent accidental discharge of a prop gun.<\/p>\n<\/div>\n<\/div>\n

\"\"<\/p>\n

    \n
  • 29th<\/sup>\u00a0EnergaCAMERIMAGE \u2013 a great international feast of cinema<\/li>\n
  • Excellent movies, outstanding filmmakers, meetings, seminars, workshops<\/li>\n
  • Presentations of modern technologies and film equipment<\/li>\n
  • Remarkable documentary films and terrific music videos<\/li>\n
  • Exceptional atmosphere and unforgettable experience<\/li>\n<\/ul>\n

    compiled by<\/p>\n

    CJ Rajkumar<\/p>\n

    Author\/Cinematographer<\/p>\n

     <\/p>\n

    <\/div>","protected":false},"excerpt":{"rendered":"

    The International Film Festival of the Art of Cinematography Camerimage is a festival dedicated to the celebration of cinematography and recognition of its creators, cinematographers. This is the only festival where visual language takes first place, 29th EDITION\u00a0 calendar falls from 13-20 November 2021, TORUN, Poland.             FILMS in the […]<\/p>\n","protected":false},"author":1,"featured_media":7694,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.1","language":"ta","enabled_languages":["en","ta"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"ta":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/7690"}],"collection":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/comments?post=7690"}],"version-history":[{"count":1,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/7690\/revisions"}],"predecessor-version":[{"id":7695,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/7690\/revisions\/7695"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media\/7694"}],"wp:attachment":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media?parent=7690"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/categories?post=7690"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/tags?post=7690"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}