{"id":7773,"date":"2022-03-03T18:12:27","date_gmt":"2022-03-03T18:12:27","guid":{"rendered":"http:\/\/thesica.in\/?p=7773"},"modified":"2022-03-03T18:21:53","modified_gmt":"2022-03-03T18:21:53","slug":"asc-awards-for-best-cinematography-2022","status":"publish","type":"post","link":"https:\/\/thesica.in\/ta\/asc-awards-for-best-cinematography-2022\/","title":{"rendered":"ASC awards for best cinematography : 2022"},"content":{"rendered":"<p>The American Society of Cinematographers was founded in Hollywood in 1919 with the dual purpose of advancing the art and science of cinematography it is a cultural, educational, and professional organization that is neither a labor union nor a guild.<\/p>\n<p>In the 1920s, the ASC began printing a four-page newsletter titled\u00a0<i>The American Cinematographer<\/i>\u00a0in 1920. According to the ASC, &#8220;<i>The American Cinematographer<\/i> covers the technology and artistry of visual storytelling, offering print and digital editions. Within this publication, a wide range of cinematographer and technical information was produced through a variety of means such as interviews, articles, blogs and podcasts.<sup id=\"cite_ref-8\" class=\"reference\"><\/sup><\/p>\n<p><img loading=\"lazy\" class=\"aligncenter size-full wp-image-7774\" src=\"http:\/\/thesica.in\/wp-content\/uploads\/2022\/03\/ASC-Awards-Announcement-Featured.jpg\" alt=\"\" width=\"2160\" height=\"892\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2022\/03\/ASC-Awards-Announcement-Featured.jpg 2160w, https:\/\/thesica.in\/wp-content\/uploads\/2022\/03\/ASC-Awards-Announcement-Featured-300x124.jpg 300w, https:\/\/thesica.in\/wp-content\/uploads\/2022\/03\/ASC-Awards-Announcement-Featured-1024x423.jpg 1024w, https:\/\/thesica.in\/wp-content\/uploads\/2022\/03\/ASC-Awards-Announcement-Featured-768x317.jpg 768w, https:\/\/thesica.in\/wp-content\/uploads\/2022\/03\/ASC-Awards-Announcement-Featured-1536x634.jpg 1536w, https:\/\/thesica.in\/wp-content\/uploads\/2022\/03\/ASC-Awards-Announcement-Featured-2048x846.jpg 2048w\" sizes=\"(max-width: 2160px) 100vw, 2160px\" \/>Other than the magazine, the ASC also publishes the American cinematographers manual, The first edition was published in 1935 by Jackson J. Rose as <i>The American Cinematographer Hand Book and Reference Guide which has multiple editions till date.<\/i><\/p>\n<p>The American society of cinematographers has announced the nominations for its 36th annual ASC awards for 2022 via livestream\u00a0 with the society nominating in the<strong> feature film category<\/strong><\/p>\n<p><strong> Bruno Delbonnel<\/strong> for <em>The Tragedy of Macbeth<\/em>,<\/p>\n<p><strong>Greg Fraser<\/strong> for\u00a0<em>Dune<\/em>,<\/p>\n<p><strong>Dan Laustsen<\/strong> for\u00a0<em>Nightmare Alley<\/em>,<\/p>\n<p><strong>Haris Zambarloukos<\/strong> for\u00a0<em>Belfast<\/em>\u00a0and<\/p>\n<p><strong>Ari Wegner<\/strong> for\u00a0<em>The Power of the Dog<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><b>Documentary<\/b><\/p>\n<p>Jessica Beshir for FAYA DAYI<\/p>\n<p>Isabel Bethencourt and Parker Hill for CUSP<\/p>\n<p>Daniel Sch\u00f6nauer for THE HIDDEN LIFE OF TREES<\/p>\n<p><b>Motion Picture, Limited Series, or Pilot Made for Television<\/b><\/p>\n<p>Steve Annis for FOUNDATION \u2013 Pilot Episode:\u00a0<i>The Emperor\u2019s Peace<\/i><\/p>\n<p>Tim Ives, ASC for HALSTON \u2013 Episode:\u00a0<i>The Party\u2019s Over<\/i><\/p>\n<p>James Laxton, ASC for THE UNDERGROUND RAILROAD \u2013 Episode:\u00a0<i>Chapter 9: Indiana Winter<\/i><\/p>\n<p>Christophe Nuyens, SBC for LUPIN \u2013 Pilot Episode:\u00a0<i>Chapter 1<\/i><\/p>\n<p>Ben Richardson, ASC for MARE OF EASTTOWN \u2013 Episode:\u00a0<i>Illusions<\/i><\/p>\n<p><b>Episode of a One-Hour Television Series \u2013 Non-Commercial<\/b><\/p>\n<p>Stuart Biddlecombe for THE HANDMAID\u2019S TALE \u2013 Episode:\u00a0<i>The Wilderness<\/i><\/p>\n<p>David Garbett for SWEET TOOTH \u2013 Episode:\u00a0<i>Big Man<\/i><\/p>\n<p>David Greene, ASC, CSC for CHAPLEWAITE \u2013 Episode:\u00a0<i>The Promised<\/i><\/p>\n<p>Jon Joffin, ASC for TITANS \u2013 Episode:\u00a0<i>Souls<\/i><\/p>\n<p>Boris Mojsovski, ASC, CSC for TITANS \u2013 Episode:<i>\u00a0Home<\/i><\/p>\n<p>Kate Reid, BSC for THE NEVERS \u2013 Episode:\u00a0<i>Hanged<\/i><\/p>\n<p><b>Episode of a One-Hour Television Series \u2013 Commercial<\/b><\/p>\n<p>Thomas Burstyn, CSC, NZSC for SNOWPIERCER \u2013 Episode:\u00a0<i>Our Answer for Everything<\/i><\/p>\n<p>Tommy Maddox-Upshaw, ASC for SNOWFALL \u2013 Episode:\u00a0<i>Weight<\/i><\/p>\n<p>Ronald Paul Richard for RIVERDALE \u2013 Episode:\u00a0<i>Chapter Eighty-Nine: Reservoir Dogs<\/i><\/p>\n<p>Brendan Steacy, CSC for CLARICE \u2013 Episode:\u00a0<i>Silence is Purgatory<\/i><\/p>\n<p>David Stockton, ASC for MAYANS M.C. \u2013 Episode:\u00a0<i>The Orneriness of Kings<\/i><\/p>\n<p>Gavin Struthers, ASC, BSC for SUPERMAN &amp; LOIS \u2013 Episode:\u00a0<i>Heritage<\/i><\/p>\n<p><b>Episode of a Half-Hour Television Series<\/b><\/p>\n<p>Marshall Adams, ASC for SERVANT \u2013 Episode:\u00a0<i>2:00<\/i><span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Michael Berlucchi for MYTHIC QUEST \u2013 Episode:\u00a0<i>Backstory!<\/i><\/p>\n<p>Adam Bricker for HACKS \u2013 Episode:\u00a0<i>There is No Line<\/i><\/p>\n<p>Paula Huidobro for PHYSICAL \u2013 Episode:\u00a0<i>Let\u2019s Get Together<\/i><\/p>\n<p>Jaime Reynoso, AMC for THE KOMINSKY METHOD \u2013 Episode:\u00a0<i>And it\u2019s Getting More and More Absurd<\/i><\/p>\n<p>ASC awards are one among most prestigious recognition for cinematographers and their\u00a0 films, Winners will be announced during the 36th ASC Awards on March 20 as a hybrid event, both in person and livestreamed from the ASC Clubhouse in Hollywood.<\/p>\n<p>CJ Rajkumar<\/p>\n<p>Author\/ cinematographer<\/p>\n<p>&nbsp;<\/p>\n<div class=\"fb-comments\" data-href=\"https:\/\/thesica.in\/ta\/asc-awards-for-best-cinematography-2022\/\" data-numposts=\"10\" data-colorscheme=\"light\" data-order-by=\"social\"><\/div>","protected":false},"excerpt":{"rendered":"<p>The American Society of Cinematographers was founded in Hollywood in 1919 with the dual purpose of advancing the art and science of cinematography it is a cultural, educational, and professional organization that is neither a labor union nor a guild. In the 1920s, the ASC began printing a four-page newsletter titled\u00a0The American Cinematographer\u00a0in 1920. According [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7774,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.1","language":"ta","enabled_languages":["en","ta"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"ta":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/7773"}],"collection":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/comments?post=7773"}],"version-history":[{"count":2,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/7773\/revisions"}],"predecessor-version":[{"id":7776,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/7773\/revisions\/7776"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media\/7774"}],"wp:attachment":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media?parent=7773"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/categories?post=7773"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/tags?post=7773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}