{"id":7831,"date":"2019-03-30T05:15:30","date_gmt":"2019-03-30T05:15:30","guid":{"rendered":"http:\/\/thesica.in\/?p=7831"},"modified":"2022-03-31T09:45:54","modified_gmt":"2022-03-31T09:45:54","slug":"arthur-wilson","status":"publish","type":"post","link":"https:\/\/thesica.in\/ta\/arthur-wilson\/","title":{"rendered":"Arthur Wilson"},"content":{"rendered":"

Arthur A. Wilson<\/b>\u00a0(born 16 March 1968) is an Indian\u00a0<\/span>cinematographer<\/span><\/a>. He has predominantly worked in south Indian films of languages such as Tamil and Telugu. He is best known for his successful movies\u00a0<\/span>Anbe Sivam<\/span><\/i><\/a>,\u00a0<\/span>Naan Kadavul<\/span><\/i><\/a>, and\u00a0<\/span>Imsai Arasan 23rd Pulikecei<\/span><\/i><\/a>, and repeated collaborations with directors like\u00a0<\/span>Kamal Hassan<\/span><\/a>,\u00a0<\/span>Bala<\/span><\/a>,\u00a0<\/span>K.S. Ravikumar<\/span><\/a>\u00a0and Tollywood\u2019s\u00a0<\/span>Boyapati Srinu<\/span><\/a>\u00a0on their films. The two time winner of Tamil Nadu State Award for Best Cinematographer is well known for his poetic and painting-like cinematography<\/span>.<\/span><\/p>\n

His recent film Iravin nizhal is\u00a0 one shot feature film which has changes in different timings of a day\/night with two songs.<\/span><\/p>\n

Filmography select<\/strong><\/p>\n

1 Sundra pursan
\n2. V I p
\n3. Sollammale
\n4. En swasakatrae
\n5. Jodi
\n6. Vanatha pola
\n7. Anantham
\n8. Pooveallam un vasam
\n9. Sajjahan
\n10. Pamal k sambatham
\n11. Panchathandram
\n12 Anba Sivam
\n13. Kannadi pookal
\n14. Thithikudhe
\n15. Ji
\n16 rhythm(songs)
\n17. Imsai Arkansan 23 m pulikasi
\n18. Nan kadavul
\n19. Solla solla inikkum
\n20 saravana
\n21. Badhra.( Telugu)
\n22. Simhha. (Telugu)
\n23 .Avan Ivan
\n24 .Dhammu(Telugu)
\n25 thadakha (Telugu )
\n26 Sardar gaber Singh (Telugu)
\n27 Satchyam (Telugu )
\n28. Vidya vinaya Rama(telugu
\n29 A perfect husband
\n30. Paris Jayaraj
\n31.Iravin nizal
\n32.ssss
\n33. Telugu ( up coming )<\/p>\n

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Vice President<\/p>\n","protected":false},"author":1,"featured_media":7642,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.1","language":"ta","enabled_languages":["en","ta"],"languages":{"en":{"title":true,"content":true,"excerpt":true},"ta":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/7831"}],"collection":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/comments?post=7831"}],"version-history":[{"count":2,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/7831\/revisions"}],"predecessor-version":[{"id":7877,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/7831\/revisions\/7877"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media\/7642"}],"wp:attachment":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media?parent=7831"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/categories?post=7831"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/tags?post=7831"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}