{"id":7933,"date":"2022-05-29T07:22:44","date_gmt":"2022-05-29T07:22:44","guid":{"rendered":"http:\/\/thesica.in\/?p=7933"},"modified":"2022-05-29T07:22:44","modified_gmt":"2022-05-29T07:22:44","slug":"75th-cannes-award-winners","status":"publish","type":"post","link":"https:\/\/thesica.in\/ta\/75th-cannes-award-winners\/","title":{"rendered":"75th Cannes Award Winners!"},"content":{"rendered":"<p style=\"text-align: left;\">2022 marks 75th year of prestigious Cannes film festival, the festival had sea of changes over the years, glamour, glitz, business of mainstream cinema walked along the way.<\/p>\n<p style=\"text-align: left;\"><img loading=\"lazy\" class=\"wp-image-7930 alignleft\" src=\"http:\/\/thesica.in\/wp-content\/uploads\/2022\/05\/dcfe828ba20f7c4ab07aa6e4b35ccfae.png\" alt=\"\" width=\"244\" height=\"345\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2022\/05\/dcfe828ba20f7c4ab07aa6e4b35ccfae.png 919w, https:\/\/thesica.in\/wp-content\/uploads\/2022\/05\/dcfe828ba20f7c4ab07aa6e4b35ccfae-212x300.png 212w, https:\/\/thesica.in\/wp-content\/uploads\/2022\/05\/dcfe828ba20f7c4ab07aa6e4b35ccfae-724x1024.png 724w, https:\/\/thesica.in\/wp-content\/uploads\/2022\/05\/dcfe828ba20f7c4ab07aa6e4b35ccfae-768x1086.png 768w\" sizes=\"(max-width: 244px) 100vw, 244px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">But it&#8217;s official selection kept to high standards.<\/p>\n<p>Indian filmmaker Shaunak Sen\u2019s documentary &#8220;<strong>All That Breathes<\/strong>&#8221; has won the top documentary award, the Golden Eye, at the ongoing 75th Cannes Film Festival.<\/p>\n<p><img loading=\"lazy\" class=\"aligncenter  wp-image-7938\" src=\"http:\/\/thesica.in\/wp-content\/uploads\/2022\/05\/all-that-breaths-16499492403x2-1.jpg\" alt=\"\" width=\"515\" height=\"343\" srcset=\"https:\/\/thesica.in\/wp-content\/uploads\/2022\/05\/all-that-breaths-16499492403x2-1.jpg 1200w, https:\/\/thesica.in\/wp-content\/uploads\/2022\/05\/all-that-breaths-16499492403x2-1-300x200.jpg 300w, https:\/\/thesica.in\/wp-content\/uploads\/2022\/05\/all-that-breaths-16499492403x2-1-1024x683.jpg 1024w, https:\/\/thesica.in\/wp-content\/uploads\/2022\/05\/all-that-breaths-16499492403x2-1-768x512.jpg 768w\" sizes=\"(max-width: 515px) 100vw, 515px\" \/>The 90-minute-long film documents the lives of Mohammad Saud and his brother Nadeem Shehzad, who have dedicated their lives saving injured birds.<\/p>\n<p>LIST OF WINNERS!<\/p>\n<p><img loading=\"lazy\" class=\"\" src=\"https:\/\/www.kino.dk\/sites\/default\/files\/styles\/k_poster_big\/public\/movie-posters\/triangle-of-sadness.jpg?itok=j6GpH6jM\" alt=\"Triangle of Sadness\" width=\"331\" height=\"497\" \/><\/p>\n<p><strong>Palme d\u2019Or<\/strong><br \/>\n<em>Triangle of Sadness<\/em>, dir Ruben Ostlund<\/p>\n<p><strong>Grand Prix (ex aequo)<\/strong><br \/>\n<em>Close<\/em>, dir. Lukas Dhont<br \/>\n<em>Stars at Noon<\/em>, dir. Claire Denis<\/p>\n<p><strong>Best Director<\/strong><br \/>\nPark Chan-wook for\u00a0<em>Decision to Leave<\/em><\/p>\n<p><iframe loading=\"lazy\" title=\"Decision to Leave (Heojil Kyolshim) new trailer official from Cannes Film Festival 2022\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/9aMHyTqvIvU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><strong>Best Screenplay<\/strong><br \/>\nTarik Saleh for\u00a0<em>Boy from Heaven<\/em><\/p>\n<p><strong>Best Actress<\/strong><br \/>\nZar Amir-Ebrahimi for\u00a0<em>Holy Spider<\/em><\/p>\n<p><strong>Best Actor<\/strong><br \/>\nSong Kang-ho for\u00a0<em>Broker<\/em><\/p>\n<p><strong>Jury Prize (ex aequo)<\/strong><br \/>\n<em>The Eight Mountains<\/em>, dir. Charlotte Vandermeersch, Felix Van Groeningen<br \/>\nand<br \/>\n<em>EO<\/em>, dir. Jerzy Skolimowski,<\/p>\n<p><strong>Cannes 75th Anniversary Prize<\/strong><br \/>\n<em>Tori et Lokita<\/em>, dir. Jean-Pierre and Luc Dardenne,<\/p>\n<p><strong>Honorary Palme d\u2019Or<\/strong><br \/>\nForest Whitaker<\/p>\n<p><strong>Camera d\u2019Or for Best First Film<\/strong><br \/>\n<em>War Pony<\/em>, dir. Gina Gammell, Riley Keough<br \/>\nSpecial Mention for\u00a0<em>Plan 75<\/em>, dir. Chie Hayakawa<\/p>\n<p><strong>Short Film Palme d\u2019Or:\u00a0<\/strong>\u201cThe Water Murmurs<\/p>\n<p><strong>Short Films Special Mention:<\/strong>\u201cLori,\u201d Abinash Bikram Shah<\/p>\n<p><strong>Golden Eye Documentary Prize:\u00a0<\/strong>\u201cAll That Breathes,\u201d Shaunak Sen<\/p>\n<p><strong>Queer Palm:\u00a0<\/strong>\u201cJoyland\u201d<\/p>\n<h3 class=\"amp-wp-cdd8ca0\" data-amp-original-style=\"text-align: center;\">UN CERTAIN REGARD<\/h3>\n<p><strong>Un Certain Regard Award:<\/strong>\u00a0\u201cThe Worst Ones,\u201d Lise Akoka, Romane Gueret<\/p>\n<p><strong>Jury Prize:<\/strong>\u00a0\u201cJoyland,\u201d Saim Sadiq<\/p>\n<p><strong>Best Director Prize:<\/strong>\u00a0Alexandru Belc, \u201cMetronom\u201d<\/p>\n<p><strong>Best Performance Prize \u2014 TIE:<\/strong>\u00a0Vicky Krieps, \u201cCorsage\u201d and Adam Bessa, \u201cHarka\u201d<\/p>\n<p><strong>Best Screenplay Prize:<\/strong>\u00a0Maha Haj, \u201cMediterranean Fever\u201d<\/p>\n<p><strong>Coup de Coeur Award:<\/strong>\u00a0\u201cRodeo,\u201d Lola Quivoron<\/p>\n<h3 class=\"amp-wp-cdd8ca0\" data-amp-original-style=\"text-align: center;\">DIRECTORS\u2019 FORTNIGHT<\/h3>\n<p><strong>Europa Cinemas Label:<\/strong>\u00a0\u201cOne Fine Morning,\u201d Mia Hansen-L\u00f8ve<\/p>\n<p><strong>Society of Dramatic Authors and Composers Prize:<\/strong>\u00a0\u201cThe Mountain,\u201d Thomas Salvador<\/p>\n<h3 class=\"amp-wp-cdd8ca0\" data-amp-original-style=\"text-align: center;\">CRITICS\u2019 WEEK<\/h3>\n<p><strong>Nespresso Grand Prize:<\/strong>\u00a0\u201cLa Jauria,\u201d Andres Ramirez Pulido<\/p>\n<p><strong>French Touch Prize:<\/strong>\u00a0\u201cAftersun,\u201d Charlotte Wells<\/p>\n<p><strong>GAN Foundation Award for Distribution:<\/strong>\u00a0Urban Distribution, \u201cThe Woodcutter Story\u201d<\/p>\n<p><strong>Louis Roederer Foundation Rising Star Award:<\/strong>\u00a0Zelda Samson, \u201cLove According to Dalva\u201d<\/p>\n<h3 class=\"amp-wp-cdd8ca0\" data-amp-original-style=\"text-align: center;\">CINEFONDATION<\/h3>\n<p><strong>First Prize:\u00a0<\/strong>A Conspiracy Man,\u201d Valerio Ferrara<\/p>\n<p><strong>Second Prize:\u00a0<\/strong>\u201cSomewhere,\u201d Li Jiahe<\/p>\n<p><strong>Third Prize \u2014 TIE:<\/strong> \u201cGlorious Revolution,\u201d Masha Novikova AND \u201cHumans Are Dumber When Crammed Up Together,\u201d Laurene Fernandez<\/p>\n<p>Article compiled by<\/p>\n<p><strong>CJ Rajkumar<\/strong><\/p>\n<p><strong>Author\/ Cinematographer<\/strong><\/p>\n<div class=\"fb-comments\" data-href=\"https:\/\/thesica.in\/ta\/75th-cannes-award-winners\/\" data-numposts=\"10\" data-colorscheme=\"light\" data-order-by=\"social\"><\/div>","protected":false},"excerpt":{"rendered":"<p>2022 marks 75th year of prestigious Cannes film festival, the festival had sea of changes over the years, glamour, glitz, business of mainstream cinema walked along the way. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; But it&#8217;s official selection kept to high standards. Indian filmmaker Shaunak Sen\u2019s documentary &#8220;All That Breathes&#8221; has won [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7938,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.1","language":"ta","enabled_languages":["en","ta"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"ta":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/7933"}],"collection":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/comments?post=7933"}],"version-history":[{"count":5,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/7933\/revisions"}],"predecessor-version":[{"id":7939,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/7933\/revisions\/7939"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media\/7938"}],"wp:attachment":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media?parent=7933"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/categories?post=7933"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/tags?post=7933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}