{"id":8081,"date":"2022-10-24T09:11:41","date_gmt":"2022-10-24T09:11:41","guid":{"rendered":"http:\/\/thesica.in\/?p=8081"},"modified":"2022-10-24T09:11:41","modified_gmt":"2022-10-24T09:11:41","slug":"indian-panorama-2022-goa","status":"publish","type":"post","link":"https:\/\/thesica.in\/ta\/indian-panorama-2022-goa\/","title":{"rendered":"Indian Panorama 2022: GOA!"},"content":{"rendered":"

International Film Festival of India is considered as the\u00a0 most important film event in India.<\/p>\n

The Indian Panorama was introduced in 1978 as part of the IFFI umbrella to promote Indian films along with the country’s rich culture and heritage with the help of cinematic art, an official statement said.<\/p>\n

\"\"“Since its inception, the Indian Panorama has been completely devoted to showcasing the best Indian films of the year. The selected films for Indian Panorama section, with an aim for the promotion of film art through, will also be screened for non-profit screening in international film festivals in India and abroad, Indian Film Weeks held under bilateral cultural exchange programmes and specialised Indian Film Festivals outside cultural exchange protocols, and special Indian Panorama festivals in India.<\/p>\n

International Film Festival of India (IFFI), has today announced the selection of 25 feature films and 20 non feature films. The selected films will be showcased at the 53rd IFFI to be held from 20th – 28th November, 2022 in Goa.<\/p>\n

The Feature Jury constituted of the following Members who individually represent various acclaimed films, and film-related professions, whereas collectively representing the diverse Indian fraternity:<\/p>\n

    \n
  1. Shri. A. Karthik Raja; Cinematographer\/ President SICA<\/li>\n
  2. Shri. Ananda Jyothi; Musician, Writer and Filmmaker<\/li>\n
  3. Smt. Dr. Anuradha Singh; Filmmaker and Editor<\/li>\n
  4. Shri. Ashok Kashyap; Producer, Director and Cinematographer<\/li>\n
  5. Shri Enumula Premraj; Director and Screenwriter<\/li>\n
  6. Smt Geeta M Gurappa; Sound Engineer<\/li>\n
  7. Shri Imo Singh; Producer, Director and Writer<\/li>\n
  8. Shri. Jugal Debata; Producer, Director and Cinematographer<\/li>\n
  9. Shri. Sailesh Dave; Producer<\/li>\n
  10. Shri. Shibu G Sushelan; Producer<\/li>\n
  11. Shri V. N. Aditya; Producer, Director and Screenwriter<\/li>\n
  12. Shri. Vishnu Sharma; Author and Film Critic<\/li>\n<\/ol>\n

    From nearly 350 films 25 have been named as official selection at Indian Panorama<\/p>\n

    Main category : Indian Panorama<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    S.No.<\/strong><\/td>\nTitle of the Film<\/strong><\/td>\nLanguage<\/strong><\/td>\nDirector<\/strong><\/td>\n<\/tr>\n
    <\/td>\nMahananda<\/td>\nBengali<\/td>\nArindam Sil<\/td>\n<\/tr>\n
    <\/td>\nThree of Us<\/td>\nHindi<\/td>\nAvinash Arun Dhaware<\/td>\n<\/tr>\n
    <\/td>\nThe Storyteller<\/td>\nHindi<\/td>\nAnanth Narayan Mahadevan<\/td>\n<\/tr>\n
    <\/td>\nMajor<\/td>\nHindi<\/td>\nSashi Kiran Tikka<\/td>\n<\/tr>\n
    <\/td>\nSiya<\/td>\nHindi<\/td>\nManish Mundra<\/td>\n<\/tr>\n
    <\/td>\nDhabari Quruvi<\/td>\nIrula<\/td>\nPriyanandanan<\/td>\n<\/tr>\n
    <\/td>\nHadinelentu<\/td>\nKannada<\/td>\nPrithvi Konanur<\/td>\n<\/tr>\n
    <\/td>\nNaanu Kusuma<\/td>\nKannada<\/td>\nKrishne\u00a0 Gowda<\/td>\n<\/tr>\n
    <\/td>\nLotus Blooms<\/td>\nMaithili<\/td>\nPratik Sharma<\/td>\n<\/tr>\n
    <\/td>\nAriyippu<\/td>\nMalayalam<\/td>\nMahesh Narayanan<\/td>\n<\/tr>\n
    <\/td>\nSaudi Vellakka CC.225\/2009<\/td>\nMalayalam<\/td>\nTharun Moorthy<\/td>\n<\/tr>\n
    <\/td>\nFrame<\/td>\nMarathi<\/td>\nVikram Patwardhan<\/td>\n<\/tr>\n
    <\/td>\nSher Shivraj<\/td>\nMarathi<\/td>\nDigpal Lanjekar<\/td>\n<\/tr>\n
    <\/td>\nEkda Kaay Zala<\/td>\nMarathi<\/td>\nDr. Saleel Shrinivas Kulkarni<\/td>\n<\/tr>\n
    <\/td>\nPratikshya<\/td>\nOriya<\/td>\nAnupam Patnaik<\/td>\n<\/tr>\n
    <\/td>\nKurangu Pedal<\/td>\nTamil<\/td>\nKamalakannan S<\/td>\n<\/tr>\n
    <\/td>\nKida<\/td>\nTamil<\/td>\nRA.Venkat<\/td>\n<\/tr>\n
    <\/td>\nJai Bhim<\/td>\nTamil<\/td>\nTha. Se. Gnanavel<\/td>\n<\/tr>\n
    <\/td>\nCinema Bandi<\/td>\nTelugu<\/td>\nKandregula Praveen<\/td>\n<\/tr>\n
    <\/td>\nKudhiram Bose<\/td>\nTelugu<\/td>\nVidya Sagar Raju<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    \"Two<\/p>\n

    Mainstream Cinema Section<\/strong><\/p>\n\n\n\n\n\n\n\n
    <\/td>\nThe Kashmir Files<\/td>\nHindi<\/td>\nVivek Ranjan Agnihotri<\/td>\n<\/tr>\n
    <\/td>\nRRR (Roudram Ranam Rudhiram)<\/td>\nTelugu<\/td>\nS\u00a0S Rajamouli<\/td>\n<\/tr>\n
    <\/td>\nTonic<\/td>\nBengali<\/td>\nAvijit Sen<\/td>\n<\/tr>\n
    <\/td>\nAkhanda<\/td>\nTelugu<\/td>\nBoyapati Srinivasa Rao<\/td>\n<\/tr>\n
    <\/td>\nDharmveer\u2026.Mukkam Post Thane<\/td>\nMarathi<\/td>\nPravin Vitthal<\/p>\n

     <\/p>\n

     <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    \"RRR,<\/p>\n

    Non Feature film category.<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    S.No.<\/strong><\/td>\nTitle of the Film<\/strong><\/td>\nLanguage<\/strong><\/td>\nDirector<\/strong><\/td>\n<\/tr>\n
    <\/td>\nPataal-Tee<\/td>\nBhotiya<\/td>\nMukund Narayan\u00a0\u00a0 &<\/p>\n

    Santosh Singh<\/td>\n<\/tr>\n

    <\/td>\nTaangh<\/td>\nEnglish<\/td>\nBani Singh<\/td>\n<\/tr>\n
    <\/td>\nAyushman<\/td>\nEnglish<\/td>\nJacob Varghese<\/td>\n<\/tr>\n
    <\/td>\nOther Ray: Art of Satyajit Ray<\/td>\nEnglish<\/td>\nJaydip Mukherjee<\/td>\n<\/tr>\n
    <\/td>\nGurujana<\/td>\nEnglish<\/td>\nSudipto Sen<\/td>\n<\/tr>\n
    <\/td>\nHatibondhu<\/td>\nEnglish<\/td>\nKripal Kalita<\/td>\n<\/tr>\n
    <\/td>\nClinton<\/td>\nEnglish<\/td>\nPrithviraj Das Gupta<\/td>\n<\/tr>\n
    <\/td>\nThe Show Must Go On<\/td>\nEnglish<\/td>\nDivya Cowasji<\/td>\n<\/tr>\n
    <\/td>\nKhajuraho, Anand Aur Mukti<\/td>\nHindi<\/td>\nRamji Om & Deepika Kothari<\/td>\n<\/tr>\n
    <\/td>\nVibhajan Ki Vibhishka Unkahi Kahaniyan<\/td>\nHindi<\/td>\nHitesh Shankar<\/td>\n<\/tr>\n
    <\/td>\nFatima<\/td>\nHindi<\/td>\nSourabh Kanti Dutta<\/td>\n<\/tr>\n
    <\/td>\nChhu Med Na Yul Med<\/td>\nHindi<\/td>\nMunmun Dhalaria<\/td>\n<\/tr>\n
    <\/td>\nBefore I Die<\/td>\nHindi<\/td>\nNakul Dev<\/td>\n<\/tr>\n
    <\/td>\nMadhyantara<\/td>\nKannada<\/td>\nBasti Dinesh Shenoy<\/td>\n<\/tr>\n
    <\/td>\nWagro<\/td>\nKonkani<\/td>\nSainath S Uskaikar<\/td>\n<\/tr>\n
    <\/td>\nVeetilekku<\/td>\nMalayalam<\/td>\nAkhil Dev M<\/td>\n<\/tr>\n
    <\/td>\nBeyond Blast<\/td>\nManipuri<\/td>\nSaikhom Ratan<\/td>\n<\/tr>\n
    <\/td>\nRekha<\/td>\nMarathi<\/td>\nShekhar Bapu Rankhambe<\/td>\n<\/tr>\n
    <\/td>\nYaanam<\/td>\nSanskrit<\/td>\nVinod Mankara<\/td>\n<\/tr>\n
    <\/td>\nLittle Wings<\/td>\nTamil<\/td>\nNaveenkumar Muthaiah<\/p>\n

     <\/p>\n

     <\/p>\n

     <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    Prithvi Konanur’s\u00a0Kannada film ‘Hadinelentu<\/em>‘, a movie that travels through the lives of stakeholders after a selfie sex video of two teenagers gets leaked, will be the opening feature film in the Indian Panorama section in this year’s International Film Festival of India (IFFI) starting November 20.<\/p>\n

    \"\"Baskar cinematographer of yet to be released Tamil film Kurangu Pedal who is a SICA member expressed his happiness of\u00a0 his film being\u00a0 in official Indian Panorama… He says this will bring more attention and encouragement for Independent film makers.<\/p>\n

    Article drafted by<\/p>\n

    CJ Rajkumar<\/p>\n

    Author\/ cinematographer.<\/p>\n

    <\/div>","protected":false},"excerpt":{"rendered":"

    International Film Festival of India is considered as the\u00a0 most important film event in India. The Indian Panorama was introduced in 1978 as part of the IFFI umbrella to promote Indian films along with the country’s rich culture and heritage with the help of cinematic art, an official statement said. “Since its inception, the Indian […]<\/p>\n","protected":false},"author":1,"featured_media":8089,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.1","language":"ta","enabled_languages":["en","ta"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"ta":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/8081"}],"collection":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/comments?post=8081"}],"version-history":[{"count":7,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/8081\/revisions"}],"predecessor-version":[{"id":8090,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/8081\/revisions\/8090"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media\/8089"}],"wp:attachment":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media?parent=8081"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/categories?post=8081"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/tags?post=8081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}