![\"\"](\"http:\/\/thesica.in\/wp-content\/uploads\/2022\/12\/WhatsApp-Image-2022-12-24-at-7.36.39-PM.jpeg\")
<\/strong><\/p>\nVenue : BOFTA\u00a0<\/strong><\/p>\n CAMERA courtesy : MEGA FOCUS FILM MAKERS, Cochin. Contact mr Jinesh +91 86061 15631 .<\/strong><\/p>\n Lights courtesy – Aputure Mr.Ranjith Kumar Jayakumar.<\/strong><\/p>\n Anamorphic Lenses\u00a0 courtesy- Cinematographer Muthu Ganesh<\/strong><\/p>\n SICA president Karthik Raaja welcomed members at the venue had a look at the new digital cinema cameras and requested SICA treasurer and ace cinematographer Sakthi Saravanan to start the days program.<\/p>\n Lecturer Gowrishankar along with BOFTA cinematography students volunteered the entire program.<\/p>\n Sakthi Saravanan started with shooting mode to explore the dynamic range of the newly introduced Arri Alexa 35 and its newly added features of creating different texture options.<\/p>\n 1.lens-25mm(cooke) ng 2.lens-50mm clip.no–4 3.lens-35mm clip.no–5 4.lens-25mm clip.no–6 5.lens-100mm clip.no–9 6.lens-100mm clip.no–10 7.lens-100mm clip.no–11 8.lens-85mm clip.no–12 9.lens-50mm clip.no–14 10.lens-35mm clip.no–15 11.lens-25mm clip.no–16 13.lens-100mm clip.no–18 14.lens-100mm clip.no–19 15.lens-100mm clip.no–20 16.lens-100mm clip.no–21 17.lens-100mm clip.no–22 18..lens-100mm clip.no–23 19.lens-100mm clip.no–24 SONY Venice\u00a0 2<\/p>\n sony venice + zeiss suprime prime 1.lens-25mm clip.no–1 2.lens-35mm clip.no–2 3.lens-50mm clip.no–3 4.lens-85mm clip.no–4 5.lens-85mm clip.no–5 6.lens-100mm clip.no–6 7.lens-100mm clip.no–7,8 8.lens-50mm clip.no–9,10 9.lens-35mm clip.no–11 10.lens-25mm clip.no–12 anamorphic lens<\/strong> 1.lens-35mm clip.no–15 2.lens-35mm clip.no–14 3.lens-50mm clip.no–16 4.lens-85mm clip.no–17 Above event had strong professional approach towards understanding the new technology from the latest cameras.<\/p>\n ARRI ALEXA 35\u00a0 CAMERA<\/p>\n Key Features<\/span><\/p>\n ALEXA 35\u00a0<\/b>Production Set<\/b>\u00a0combines the ALEXA 35 camera with a Cine License, both an LPL mount and a PL to LPL adapter, a B-mount battery plate, a PDM-1 Power Distribution Module, a cage-type set with 15mm studio and 15mm LWS rod supports, a baseplate, and a dovetail. Compact and easy to operate, the ALEXA 35 offers both MFX\/ARRIRAW and MFX\/Apple ProRes capture to 1 or 2TB Codex drives with resolutions up to 4.6K and frame rates up to 120p.<\/p>\n The ALEXA 35 expands your creative control options using the new REVEAL color science, color matching with existing ARRI cameras, and multiple Texture Files<\/strong>\u00a0 \u00a0ability to select looks akin to choosing a film stock, both during capture and in post-production.<\/p>\n SONY VENICE 2 8K CAMERA<\/strong><\/p>\n Featuring an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design,<\/p>\n The VENICE 2 with an 8.6K sensor features a dual-range ISO setting with 800 and 3200 base settings while sharing the same color science as the original 6K sensor.<\/p>\n The servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis offers a massive ND range from Clear (no ND) and 0.3 (1\/2 = 1 stop) to 2.4 (1\/256 = 8 stops).<\/p>\n he VENICE 2 is capable of recording directly to AXS cards internally. Featuring two AXS card slots, you can capture X-OCN and 4K ProRes (both 17:9 and 16:9) internally and use relay recording for virtually unlimited recording time. Additionally, the VENICE 2 supports cache recording and has twice the cache memory as the original VENICE camera.<\/p>\n Article by CJ Rajkumar<\/p>\n<\/div>\n![\"\"](\"http:\/\/thesica.in\/wp-content\/uploads\/2022\/12\/WhatsApp-Image-2022-12-24-at-3.38.35-PM.jpeg\")
ARRI ALEXA TEST SHOOT Tech information<\/p>\n
\niso-800
\nnd-0.6
\nexposure- T 2.8
\nshutter-180\u00b0
\nwhite balance -5600k
\nzeiss lens<\/p>\n
\niso-800
\nnd-0.6
\nexposure- T2.8
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-800
\nnd-0.6
\nexposure- T 2.8
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-800
\nnd-0.6
\nexposure- T 2.8
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-800
\nnd-0
\nexposure-5.6f
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-3200
\nnd-0.6
\nexposure- T 5.6
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-3200
\nnd-1.2
\nexposure- T 2.8
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-3200
\nnd-1.2
\nexposure- T2.8
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-3200
\nnd-1.2
\nexposure- T 2.8
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-3200
\nnd-1.2
\nexposure- T 2.8
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-3200
\nnd-1.2
\nexposure- T 2.8
\nshutter-180\u00b0
\nwb-5600k
\ncamera position change ^
\n12.lens-100mm clip.no–17
\niso-800
\nnd-0.6
\nexposure- T 2.8
\nshutter-180\u00b0
\nwb-5600k
\ntexture-G522 soft nostalgic<\/p>\n
\niso-800
\nnd-0.6
\nexposure- T 2.8
\nshutter-180\u00b0
\nwb-5600k
\ntexture-default<\/p>\n
\niso-800
\nnd-0.6
\nexposure- T 2.8
\nshutter-180\u00b0
\nwb-5600k
\ntexture-G733 nostalgic<\/p>\n
\niso-800
\nnd-0.6
\nexposure- T 2.8
\nshutter-180\u00b0
\nwb-5600k
\ntexture-P425 cosmetic<\/p>\n
\niso-800
\nnd-0.6
\nexposure- T 2.8
\nshutter-180\u00b0
\nwb-5600k
\ntexture-L345 shadow<\/p>\n
\niso-800
\nnd-0.6
\nexposure- T 2.8
\nshutter-180\u00b0
\nwb-5600k
\ntexture-H 457 deep shadow<\/p>\n
\niso-800
\nnd-0.6
\nexposure- T 2.8
\nshutter-180\u00b0
\nwb-5600k
\ntexture-F 578 high clarity<\/p>\n
\niso-800
\nnd-0.6
\nexposure- T2.8
\nshutter-180\u00b0
\nwb-5600k
\ntexture-clarity<\/p>\n
\n8.6k 16:9<\/p>\n
\niso-800
\nnd-0.6
\nexposure- T 2.8
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-800
\nnd-0.6
\nexposure- T 2.8
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-800
\nnd-0.6
\nexposure- T 2.8
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-800
\nnd-0.6
\nexposure- T2.8
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-3200
\nnd-0.6
\nexposure- T5.6
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-3200
\nnd-0.6
\nexposure- T5.6
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-800
\nnd-0
\nexposure-5.6f
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-3200
\nnd-1.2
\nexposure-2.8f
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-3200
\nnd-1.2
\nexposure-2.8f
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-3200
\nnd-1.2
\nexposure-2.8f
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\nratio – 5.8k 6:5 anamorphic desqueze 2\u00d7<\/p>\n
\niso-800
\nnd-0.6
\nexposure-2.8f
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-800
\nnd-0
\nexposure-5.6f
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-800
\nnd-0
\nexposure-5.6
\nshutter-180\u00b0
\nwb-5600k<\/p>\n
\niso-800
\nnd-0
\nexposure-5.6f
\nshutter-180\u00b0
\nwb-5600k<\/p>\n![\"\"](\"http:\/\/thesica.in\/wp-content\/uploads\/2022\/12\/WhatsApp-Image-2022-12-24-at-7.36.38-PM.jpeg\")
Above footage will be color graded with similar colorspace and setting of both the camera footages and will be presented to our members\u00a0 for better understanding.<\/p>\n![\"\"](\"http:\/\/thesica.in\/wp-content\/uploads\/2022\/12\/WhatsApp-Image-2022-12-24-at-12.26.18-PM.jpeg\")
Cinematographers \u00c0. Ramesh Kumar, Naga Saravanan, Seviloraja,CJ Rajkumar, Mahesh Muthuswami, Rajesh Yadhav,Vetrivel Mahendran, Moses, Gopi Jagadeeswaran, Ramalingam and many tried different settings to explore the posibilities.<\/p>\n\n
\n
\n
![\"\"](\"http:\/\/thesica.in\/wp-content\/uploads\/2022\/12\/WhatsApp-Image-2022-12-24-at-7.34.17-PM.jpeg\")
SICA General Secretary\u00a0 Ilavarasu whole heartedly thanked all the members and\u00a0 all dignitaries who had supported this program buy giving cameras,lights and venue.<\/p>\n<\/div>\n
SICA conducted a very interesting program for its members on latest ARRI Alexa 35 4k camera and Sony Venice 2 8k camera to understand its salient features by cinematographers shooting mode. Venue : BOFTA\u00a0 CAMERA courtesy : MEGA FOCUS FILM MAKERS, Cochin. Contact mr Jinesh +91 86061 15631 . Lights courtesy – Aputure Mr.Ranjith Kumar […]<\/p>\n","protected":false},"author":1,"featured_media":8151,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.1","language":"ta","enabled_languages":["en","ta"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"ta":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/8146"}],"collection":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/comments?post=8146"}],"version-history":[{"count":4,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/8146\/revisions"}],"predecessor-version":[{"id":8155,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/8146\/revisions\/8155"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media\/8151"}],"wp:attachment":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media?parent=8146"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/categories?post=8146"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/tags?post=8146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}