{"id":9623,"date":"2024-08-16T11:42:53","date_gmt":"2024-08-16T11:42:53","guid":{"rendered":"https:\/\/thesica.in\/?p=9623"},"modified":"2024-09-12T12:17:18","modified_gmt":"2024-09-12T12:17:18","slug":"70th-national-film-awards","status":"publish","type":"post","link":"https:\/\/thesica.in\/ta\/70th-national-film-awards\/","title":{"rendered":"70th National Film Awards!"},"content":{"rendered":"

This year’s winners of India’s esteemed 70th National Film Awards showcase the industry’s exceptional talents. In addition to recognising national performers and crew, the awards ceremony celebrates the top films of 2022. The National Film Awards were postponed by two years as a result of the COVID-19 pandemic; hence, these accolades are reserved for feature and non-feature films that were released in 2022. A press conference in New Delhi was held by the Ministry of Information and Broadcasting (I&B) to announce the winners.<\/p>\n

\"\" \"\"<\/p>\n

Here the list of winners<\/strong><\/p>\n

– Best Feature Film: Aattam
\n– Best Actor:Rishab Shetty, Kantara
\n– Best Actress:Nithya Menen in Tiruchitrabalam, and Manasi Parekh in Kutch Express
\n– Best Director: Sooraj Barjatya, Uunchai<\/p>\n

\"\"<\/p>\n

Best Cinematography: Ponniyin Selvan \u2013 Part 1: S Ravi Varman<\/strong>
\n– Best Supporting Actress: Neena Gupta, Uunchai
\n– Best Supporting Actor: Pawan Malhotra, Fouji
\n– Best Feature Film Providing Wholesome Entertainment:Kantara
\n– Best Debut: Fouja, Pramod Kumar
\n– Best Telugu Film: Karthikeya 2
\n– Best Tamil Film: Ponniyin Selvan \u2013 Part 1
\n– Best Punjabi Film:Baaghi Di Dhee
\n– Best Odia Film: Daman
\n– Best Malayalam Film: Saudi Velakka
\n– Best Marathi Film: Vaalvi
\n– Best Kannada Film:KGF: Chapter 2
\n– Best Hindi Film:Gulmohar
\n– Best Tiwa Film:Sikaisal
\n– Best Bengali Film: Kaberi Antardhan
\n– Best Assamese Film: Emuthi Puthi<\/p>\n

– Special Mentions: Manoj Bajpayee in Gulmohar, and Sanjoy Salil Chowdhury for Kalikhan
\n– Best Action Direction: KGF: Chapter 2
\n– Best Choreography: Tiruchitrabalam
\n– Best Lyrics: Fouja
\n– Best Music Director: Pritam (Songs), AR Rahman (Background Score)
\n– Best Makeup: Aparajito
\n– Best Costumes: Kutch Express
\n– Best Production Design: Aparajito
\n– Best Editing:Aattam
\n– Best Sound Design:Ponniyin Selvan \u2013 Part 1
\n– Best Screenplay:Aattam
\n– Best Dialogues:Gulmohar
\n– Best Female Playback: Bombay Jayashri, Saudi Velakka
\n– Best Male Playback:Arijit Singh,-<\/p>\n

-Best vfx :Brahmastra-<\/p>\n

Best Child Artist:Sreepath in Mallikappuram<\/p>\n

– Best Non-Feature Film Promoting Social and Environmental Values:Kutch Express
\n– Best Critic: Deepak Dua
\n– Best Book on Cinema:Kishore Kumar – Ultimate Biography<\/p>\n

Sica is proud of its member S.Ravi Varman winning Best Cinematography national award and also wishing all award winners<\/p>\n

compiled by<\/p>\n

CJ Rajkumar<\/p>\n

Author\/ Cinematographer<\/p>\n

<\/div>","protected":false},"excerpt":{"rendered":"

This year’s winners of India’s esteemed 70th National Film Awards showcase the industry’s exceptional talents. In addition to recognising national performers and crew, the awards ceremony celebrates the top films of 2022. The National Film Awards were postponed by two years as a result of the COVID-19 pandemic; hence, these accolades are reserved for feature […]<\/p>\n","protected":false},"author":2,"featured_media":9626,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.1","language":"ta","enabled_languages":["en","ta"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"ta":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/9623"}],"collection":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/comments?post=9623"}],"version-history":[{"count":4,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/9623\/revisions"}],"predecessor-version":[{"id":9689,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/posts\/9623\/revisions\/9689"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media\/9626"}],"wp:attachment":[{"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/media?parent=9623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/categories?post=9623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesica.in\/ta\/wp-json\/wp\/v2\/tags?post=9623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}