In Conversation : Cinematographer Preetha Jayaraman

Preetha Jayaraman is an accomplished cinematographer known for her work in Indian cinema. She has gained recognition for her skilful and creative approach to cinematography, contributing to the visual storytelling of various films.

Her contributions to Indian cinema have earned her respect and admiration within the industry. She continues to be recognized as one of the talented cinematographers shaping the visual landscape of Indian films.

She graciously shares her cinematic journey experiences through SICA.

In conversation with Cinematographer Preetha Jayaraman!

Background and Inspiration

What impact did your early life and exposure to P.C. Sreeram’s work have on shaping your decision to enter the field of cinematography?

“There is a creative gene in the family. That’s undeniable. My great grandfather had a keen interest in photography. My uncle PC Sreeram was a deep influence in shaping my choice to become a cinematographer.

Watching his films made me interested in cinematography”.

What are some other filmmakers or cinematographers whose work inspires you?

Roger Deakins, Nestor Almendros, Christopher Doyle, and Robert Richardson are among the filmmakers and cinematographers whose work serves as a great source of inspiration for me.

What drew you to the diverse range of projects you’ve worked on, from short films to commercials to feature films?

“Diversity arises from necessity.”

To stay relevant it’s important to take the work that comes your way, to keep creating images and telling stories in whatever format I can.

Career and Collaborations

Can you describe your collaborative process with directors? How do you develop a visual language for each film?

“It starts with the first conversation, I think.”

After that, I approach the script with two perspectives: initially as an objective reader, and then from the lens of a cinematographer. Perhaps an image, a painting, or a film could ignite the inspiration for the overall treatment. Getting to understand the director’s perspective on the film and jointly developing a thought process around the scenes, which ultimately shapes the final outcome of the film.

What are some of the biggest challenges you’ve faced as a cinematographer, and how have you overcome them?

“I have enjoyed the creative challenges; it’s always interesting to find solutions to those problems.”

“Preparing for shooting and guiding the film to its final form – these are all exhilarating challenges.” Never get tired of them.

“Securing the next project, dealing with delayed timelines, and experiencing films not being released are some of the toughest challenges that can put your resilience to the test.”

How has your experience as a woman in the Indian film industry shaped your career and perspective?

“It has taught me to take pride in my gender, to embrace who I am, and to appreciate how far I’ve come in the industry.”

Your frequent collaboration with Director Radha Mohan on diverse projects like “Abhiyum Naanum” and “Gowravam” highlights your successful partnership. What factors contribute to the success of this collaboration?

“Radha Mohan is a sensitive storyteller whom I’ve enjoyed collaborating with on both films.”

“Abhiyum Naanum” is a film that people still associate with me, and I’m happy to have had the opportunity to shoot it.

Specific Projects:

What is your current project, and what aspect of it excites you the most?

This year, I am collaborating with two women directors—one for a Hindi film and the other for a Tamil film. I’m excited about both projects.

*Impact and Recognition:*

What significance does being among the first women inducted into the Indian Society of Cinematographers hold for you?

The significance is equivalent to what it would mean for a male cinematographer. It provides a sense of validation.

How do you perceive your work contributes to the storytelling and visual language of Indian cinema?

“I have miles to go before I can answer this question. I have plenty to contribute, and my visual language will continue to evolve with each film I shoot. Thankfully, there is no retirement age.”

What films do you enjoy as a viewer, and in what ways do they shape or inspire your own work?

“I watch a wide range of films, and numerous films consistently surprise and inspire me, providing on going motivation and creativity.”

“When I begin preparing for a film, I seek inspiration from movies that I believe will enrich my research or provide me with that creative push.”

What advice would you offer to aspiring cinematographers?

It’s valuable for aspiring cinematographers to develop their skills in people management alongside their cinematography expertise.

“It’s easy to work with cameras; people are trickier.”

Are there any specific technical aspects of cinematography that you find particularly fascinating or challenging?

I have a passion for lighting. Exploring innovative approaches to lighting has always been a fascinating aspect of cinematography for me.

Is there a particular painting that has inspired your work?

Edward Hopper’s masterpiece “New York Movie” is one of my favourites. It’s fascinating to envision how Edward Hopper illuminated this scene.

SICA wishes Preetha Jayaraman for her visual journey.

Article drafted by

CJ Rajkumar

Author / Cinematographer