New series of Fake Lights: Caution!

This is a very important to note that a new series of Arri lights are duplicated in the market which are made to look a like which does pose concern for quality of the light and safety…this information was brought to SICA attention by Lotus Cine Group India who are authorized for Arri light products.

It’s indeed crucial to highlight the importance of using genuine and high-quality equipment in cinematography, especially when it comes to lighting. Counterfeit or fake lights not only compromise the visual quality of the production but also pose potential safety risks.

Points regarding the differences between genuine Arri Skypanel lights and their counterfeit counterparts are well-noted. Firmware upgrades, multiple light engines, color accuracy, green-magenta shift correction, DMX control, special effects, and digital color correction filters are all critical features that contribute to the overall performance of professional lighting equipment.

The issue of safety, particularly with fake M series lights, is alarming. Cracked bulbs and poor power sockets can lead to accidents on a film set, endangering both equipment and personnel. This emphasizes the need for filmmakers, rental houses, and anyone involved in the production process to be vigilant and ensure they are using authentic equipment from reputable sources.

It is very sad that few rental houses being potentially deceived by cheaper lights is an important point. Not only does this affect the quality of the equipment available to filmmakers, but it also puts the rental houses at risk of losing out on warranties and support that come with genuine products.

In an industry where precision and reliability are paramount, the use of substandard equipment can have a lasting impact on the quality of the final product. It’s essential for filmmakers and industry professionals to stay informed, conduct thorough checks, and invest in authentic equipment to maintain the highest standards in cinematography. An updated article on this topic would indeed be valuable to raise awareness and provide the latest information on potential risks associated with counterfeit lighting equipment in the film industry.

counterfeit 9kV and 18kV lights raises even more significant concerns due to their higher power capacity. The risks associated with fake lights become more pronounced as the power levels increase. These counterfeit high-power lights not only compromise the quality of illumination but also pose heightened safety hazards on film sets.

1. Safety Concerns: The duplication of 9kV and 18kV lights is particularly alarming due to the potential for increased electrical hazards. Poorly manufactured or counterfeit lights with higher power ratings can lead to more severe accidents, including electrical fires or other safety incidents.
2. Equipment Reliability: Genuine 9kV and 18kV lights from reputable manufacturers are designed with precision to handle the demands of high-power lighting scenarios. Counterfeit versions may lack the engineering and build quality required for reliable and safe operation, jeopardizing the success of film productions.
3. Impact on Film Quality: The quality of lighting significantly influences the overall look and feel of a film. Counterfeit high-power lights may lack the color accuracy, intensity control, and other advanced features necessary for achieving the desired visual effects in professional cinematography.
4. Warranty and Support Issues: Filmmakers and rental houses investing in fake 9kV and 18kV lights may not only experience performance issues but also risk voiding warranties and losing access to essential support services. This can result in additional costs for repairs and replacements.
5. Industry Awareness: The cinematography community should be made aware of the specific risks associated with counterfeit high-power lights. Educational initiatives and updated articles can play a crucial role in preventing the spread of fake equipment in the industry.

In conclusion, the replication of 9kV and 18kV lights exacerbates the challenges posed by counterfeit lighting equipment, emphasizing the need for heightened awareness, diligence, and adherence to industry standards when acquiring lighting gear for film productions.